| Titre : | EYE n°104 | | Type de document : | texte imprimé | | Auteurs : | John L. WALTERS, Directeur de publication, rédacteur en chef ; Simon ESTERSON, Directeur artistique ; Catherine DIXON, Auteur ; Jarrett FULLER, Auteur ; HELLER, Steven, Auteur ; Briar LEVIT, Auteur ; Gabriela MATUSZYK, Auteur ; POYNOR, Rick, Auteur ; Serge RICCO, Auteur ; Jim SUTHERLAND, Auteur ; Aggie TOPPINS, Auteur ; Christopher WILSON, Auteur | | Editeur : | Eye Magazine Ltd | | Année de publication : | 2023 | | Importance : | 116 p. | | Présentation : | ill. N&B et coul. | | Format : | 23,5 x 29,5 cm | | ISBN/ISSN/EAN : | 6918 | | Prix : | £ 20,00 | | Note générale : | Eye, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture. | | Langues : | Anglais (eng) | | Catégories : | Graphisme, illustration, art publicitaire
| | Mots-clés : | magazine, graphisme, design, journal, designers, culture visuelle, issue, graphic visual culture, review | | Résumé : |
Editorial Eye 104
The urge to make static artwork that depicts or creates movement has long been a human preoccupation. In our Reputations interview, influential Elle art director and photographer Peter Knapp talks about his desire to infuse magazines with movement. At a time – the 1960s– when the conventions of fashion publishing and photography were being reinvented, Knapp was a central figure.
The practice of motion design has a deep history and rich present; ‘Jump cuts’ is an examination of some current practitioners who are creating resonant, personal work – from Saskia Marka’s TV titles, via Hiromu Oka’s animated Riso prints, to the haunting transformations that Dirk Koy shares on social media. This is a tantalising time – especially now that the means to make ‘direct film’ (to borrow Len Lye’s useful term), are on most designers’ computers.
Christopher Wilson’s thorough feature about the series of Album Cover Albums engages with a period when graphic design and music culture were entangled to an unprecedented degree. As Wilson demonstrates, the books ‘traced shifts in graphic design and in ideological differences between generations of designers.’
In Ukraine, art director Glib Kaporikov and editor Anna Karnauh have made an edition of design magazine Telegraf that shows the design community’s response to war. Karnauh says: ‘Telegraf is about a new reality, where creativity is the weapon against the aggressor.’
John L. Walters | | Note de contenu : |
CONTENTS :
OPIINION
* Resistance is essential - p. 16
Telegraf’s second issue embodies Ukraine’s creativity and courage in the face of the Russian invasion. Report by John L. Walters
* This is a column - p. 20
Design that tells the story of its own making harks back to conceptual art of the 1960s. By Rick Poynor
FEATURES
* Reputations: Peter Knapp - p. 22
‘I redesigned the Elle logotype as I thought it was too small. I wanted its letters to sit with the head of the cover model by enlarging the letter-spacing. Of all the things I’ve done, this is the one thing that was never changed.’ Interview by Serge Ricco.
* Philadelphia freedom - p. 44
Pentagram’s Luke Hayman has given The Philadelphia Inquirer an overhaul. By Steven Heller.
* Jump cuts - p. 50
Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters.
* John Randle and his 26 soldiers of lead - p. 68
As Matrix comes to a full stop, its doughty founder talks to Eye. Photographs by Philip Sayer.
* Form and feeling - p. 82
Rudolph de Harak gets the recognition he deserves in a new monograph by Richard Poulin.
* Heavy rotation - p. 88
From 1977-92, the Album Cover Albums presented a broad spectrum of record sleeve art, unintentionally raising questions about the way graphic design for popular culture is experienced, interpreted and preserved. By Christopher Wilson.
REVIEWS - p. 103
* Tupigrafia. The 2000-2020 Anthology
* Sans (FR) 1628–1924
* Process Music: Songs, Stories, and Studies of Graphic Culture
* Graphic Events: A Realist Account of Graphic Design
* Flexible Visual Systems: The Design Manual for Contemporary Visual Identities
* Growing Up Underground: A Memoir of Counterculture New York
* Design After Capitalism: Transforming Design Today for an Equitable Tomorrow
* RUHUMAN: The Typewriter Art of Keith Armstrong
* ‘Fontstand International Typography Conference’
* Catherine Griffiths: Solo in [ ] Space | | En ligne : | https://www.eyemagazine.com/magazine/issue-104 |
EYE n°104 [texte imprimé] / John L. WALTERS, Directeur de publication, rédacteur en chef ; Simon ESTERSON, Directeur artistique ; Catherine DIXON, Auteur ; Jarrett FULLER, Auteur ; HELLER, Steven, Auteur ; Briar LEVIT, Auteur ; Gabriela MATUSZYK, Auteur ; POYNOR, Rick, Auteur ; Serge RICCO, Auteur ; Jim SUTHERLAND, Auteur ; Aggie TOPPINS, Auteur ; Christopher WILSON, Auteur . - [S.l.] : Eye Magazine Ltd, 2023 . - 116 p. : ill. N&B et coul. ; 23,5 x 29,5 cm. ISSN : 6918 : £ 20,00 Eye, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture. Langues : Anglais ( eng) | Catégories : | Graphisme, illustration, art publicitaire
| | Mots-clés : | magazine, graphisme, design, journal, designers, culture visuelle, issue, graphic visual culture, review | | Résumé : |
Editorial Eye 104
The urge to make static artwork that depicts or creates movement has long been a human preoccupation. In our Reputations interview, influential Elle art director and photographer Peter Knapp talks about his desire to infuse magazines with movement. At a time – the 1960s– when the conventions of fashion publishing and photography were being reinvented, Knapp was a central figure.
The practice of motion design has a deep history and rich present; ‘Jump cuts’ is an examination of some current practitioners who are creating resonant, personal work – from Saskia Marka’s TV titles, via Hiromu Oka’s animated Riso prints, to the haunting transformations that Dirk Koy shares on social media. This is a tantalising time – especially now that the means to make ‘direct film’ (to borrow Len Lye’s useful term), are on most designers’ computers.
Christopher Wilson’s thorough feature about the series of Album Cover Albums engages with a period when graphic design and music culture were entangled to an unprecedented degree. As Wilson demonstrates, the books ‘traced shifts in graphic design and in ideological differences between generations of designers.’
In Ukraine, art director Glib Kaporikov and editor Anna Karnauh have made an edition of design magazine Telegraf that shows the design community’s response to war. Karnauh says: ‘Telegraf is about a new reality, where creativity is the weapon against the aggressor.’
John L. Walters | | Note de contenu : |
CONTENTS :
OPIINION
* Resistance is essential - p. 16
Telegraf’s second issue embodies Ukraine’s creativity and courage in the face of the Russian invasion. Report by John L. Walters
* This is a column - p. 20
Design that tells the story of its own making harks back to conceptual art of the 1960s. By Rick Poynor
FEATURES
* Reputations: Peter Knapp - p. 22
‘I redesigned the Elle logotype as I thought it was too small. I wanted its letters to sit with the head of the cover model by enlarging the letter-spacing. Of all the things I’ve done, this is the one thing that was never changed.’ Interview by Serge Ricco.
* Philadelphia freedom - p. 44
Pentagram’s Luke Hayman has given The Philadelphia Inquirer an overhaul. By Steven Heller.
* Jump cuts - p. 50
Motion design is everywhere. The gleaming screens of our phones, TVs and poster sites demand more and more ways to make words and pictures dance in space and time. By John L. Walters.
* John Randle and his 26 soldiers of lead - p. 68
As Matrix comes to a full stop, its doughty founder talks to Eye. Photographs by Philip Sayer.
* Form and feeling - p. 82
Rudolph de Harak gets the recognition he deserves in a new monograph by Richard Poulin.
* Heavy rotation - p. 88
From 1977-92, the Album Cover Albums presented a broad spectrum of record sleeve art, unintentionally raising questions about the way graphic design for popular culture is experienced, interpreted and preserved. By Christopher Wilson.
REVIEWS - p. 103
* Tupigrafia. The 2000-2020 Anthology
* Sans (FR) 1628–1924
* Process Music: Songs, Stories, and Studies of Graphic Culture
* Graphic Events: A Realist Account of Graphic Design
* Flexible Visual Systems: The Design Manual for Contemporary Visual Identities
* Growing Up Underground: A Memoir of Counterculture New York
* Design After Capitalism: Transforming Design Today for an Equitable Tomorrow
* RUHUMAN: The Typewriter Art of Keith Armstrong
* ‘Fontstand International Typography Conference’
* Catherine Griffiths: Solo in [ ] Space | | En ligne : | https://www.eyemagazine.com/magazine/issue-104 |
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Affiner la recherche Interroger des sources externes100 IDEAS THAT CHANGED GRAPHIC DESIGN / HELLER, Steven
