| Titre : | Frieze #243 : May 2024 | | Type de document : | texte imprimé | | Auteurs : | Andrew DURBIN, Directeur de publication, rédacteur en chef ; Eddie CHAMBERS, Auteur ; MARA DE WACHTER Ellen, Auteur ; Carlos VALLADARES, Auteur ; Franklin MELENDEZ, Auteur ; Isabel PARKES, Auteur ; Alastair CURTIS, Auteur ; Hettie JUDAH, Auteur ; Gary ZHEXI ZHANG, Auteur ; TILLMAN, Lynne, Auteur ; JONAS, Joan, Auteur ; Brian DILLON, Auteur | | Editeur : | Londres : Frieze | | Année de publication : | 2024 | | Importance : | 180 p. | | Présentation : | ill. N&B et coul. | | Format : | 23,5 x 30 cm | | ISBN/ISSN/EAN : | 7152 | | Prix : | 15,00 € | | Langues : | Anglais (eng) | | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Mots-clés : | Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, performance, rituel, Harlem, minorités, artistes Noirs, invisibilisation, LGBT, queer, Faeries, Sida, AIDS, VIH | | Résumé : | In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. Plus, Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
In the columns section, Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice, Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968); Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry; Isabel Parkes pens a guide to staging a performance piece and Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
| | Note de contenu : | CONTENTS:
EDITOR'S LETTER - p.15
To Do: LYNNE TILLMAN - p.19
One Take: DONALD RODNEY - p.20
In honour of Donald Rodney’s upcoming exhibition at Spike Island, Eddie Chambers responds to the artist’s 1992 work Doublethink.
BEHIND THE SCENES: WHAT LIES BENEATH
— — — —
* KOBBY ADI's meaning in absentia - p.23
Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice.
* A contentious retelling of Harlem life - p.27
Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968).
* THEODORA SKIPITARE's shapeshifting puppets - p.29
Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry.
* How to prepare for your performance - p.20
Isabel Parkes pens a guide to staging a performance piece.
* Reconstructing the queer theater archive - p.33
Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
FEATURES
— — — —
* Survey: Celebrating the Studio Museum - p.62
Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
‘The Black radical tradition taught us that the only way out is through.’ As the museum prepares to open its new building on 125th Street, writers and curators reflect on its essential role as a site of connection, exchange and debate for Black artists.
* Profile: GHISLAINE LEUNG - p.74
Hettie Judah meets with artist Ghislaine Leung to discuss motherhood and the labour conditions around art making.
* 1,500 Words: Ali Sultan Issa's socialist Zanzibar - p.82
Gary Zhexi Zhang documents Ali Sultan Issa’s socialist Zanzibar.
* Interview: LYNNE TILLMAN and JOAN JONAS on rituals, fairytales and performance - p.88
‘I really saw all the forms coming together: writing, drawing, performing, music. For me, it was about different aspects uniting and informing each other in my work.’ The artist speaks to Lynne Tillman about rituals, fairy tales and the interdisciplinarity which underlines her practice.
* Essay: 100 years of ROBERT FRANK - p.98
Brian Dillon retraces photographer Robert Frank’s prolific career in honour of his upcoming centenary.
REVIEWS
— — — —
* The Whitney Biennial, New York, US - p.138
* The Gimley Report - p.160
| | En ligne : | https://www.frieze.com/magazines/frieze-magazine/issue-243 |
Frieze #243 : May 2024 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Eddie CHAMBERS, Auteur ; MARA DE WACHTER Ellen, Auteur ; Carlos VALLADARES, Auteur ; Franklin MELENDEZ, Auteur ; Isabel PARKES, Auteur ; Alastair CURTIS, Auteur ; Hettie JUDAH, Auteur ; Gary ZHEXI ZHANG, Auteur ; TILLMAN, Lynne, Auteur ; JONAS, Joan, Auteur ; Brian DILLON, Auteur . - Londres : Frieze, 2024 . - 180 p. : ill. N&B et coul. ; 23,5 x 30 cm. ISSN : 7152 : 15,00 € Langues : Anglais ( eng) | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Mots-clés : | Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, performance, rituel, Harlem, minorités, artistes Noirs, invisibilisation, LGBT, queer, Faeries, Sida, AIDS, VIH | | Résumé : | In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. Plus, Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
In the columns section, Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice, Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968); Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry; Isabel Parkes pens a guide to staging a performance piece and Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
| | Note de contenu : | CONTENTS:
EDITOR'S LETTER - p.15
To Do: LYNNE TILLMAN - p.19
One Take: DONALD RODNEY - p.20
In honour of Donald Rodney’s upcoming exhibition at Spike Island, Eddie Chambers responds to the artist’s 1992 work Doublethink.
BEHIND THE SCENES: WHAT LIES BENEATH
— — — —
* KOBBY ADI's meaning in absentia - p.23
Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice.
* A contentious retelling of Harlem life - p.27
Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968).
* THEODORA SKIPITARE's shapeshifting puppets - p.29
Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry.
* How to prepare for your performance - p.20
Isabel Parkes pens a guide to staging a performance piece.
* Reconstructing the queer theater archive - p.33
Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
FEATURES
— — — —
* Survey: Celebrating the Studio Museum - p.62
Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
‘The Black radical tradition taught us that the only way out is through.’ As the museum prepares to open its new building on 125th Street, writers and curators reflect on its essential role as a site of connection, exchange and debate for Black artists.
* Profile: GHISLAINE LEUNG - p.74
Hettie Judah meets with artist Ghislaine Leung to discuss motherhood and the labour conditions around art making.
* 1,500 Words: Ali Sultan Issa's socialist Zanzibar - p.82
Gary Zhexi Zhang documents Ali Sultan Issa’s socialist Zanzibar.
* Interview: LYNNE TILLMAN and JOAN JONAS on rituals, fairytales and performance - p.88
‘I really saw all the forms coming together: writing, drawing, performing, music. For me, it was about different aspects uniting and informing each other in my work.’ The artist speaks to Lynne Tillman about rituals, fairy tales and the interdisciplinarity which underlines her practice.
* Essay: 100 years of ROBERT FRANK - p.98
Brian Dillon retraces photographer Robert Frank’s prolific career in honour of his upcoming centenary.
REVIEWS
— — — —
* The Whitney Biennial, New York, US - p.138
* The Gimley Report - p.160
| | En ligne : | https://www.frieze.com/magazines/frieze-magazine/issue-243 |
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