Titre :	EYE n°102 : Volume 26, Hiver 2022
Type de document :	texte imprimé
Editeur :	Eye Magazine Ltd
Année de publication :	2022
Importance :	114 p.
ISBN/ISSN/EAN :	6632
Note générale :	Eye, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture.
Langues :	Français (fre)
Catégories :	Arts Beaux-Arts et arts décoratifs
Mots-clés :	Eye,  design  graphique,  illustration,  typographie,  design,  Thomas  Huot-Marchand,  Laura  Meseguer,  November,  Joe  Caroff,  Nebiolo  Project,  Typographics  21,
Index. décimale :	700 Les arts. Beaux arts et arts décoratifs
Résumé :	Editorial ‘Rebalancing the design canon’ Elizabeth Resnick looks at the practitioners and educators intent on revising our understanding of women’s roles in design history. ‘Experiments in destabilisation’ A CalArts book celebrates decades of purposeful graphic weirdness. Critique by Rick Poynor ‘Reputations: Thomas Huot-Marchand’ Interview by Véronique Marrier ‘It is not a question of revisiting a typographic style, but of questioning the means of creating typefaces, of establishing a new formal logic by pushing certain parameters to their maximum.’ ‘The Nebiolo legacy’ Though Italy’s most renowned type foundry closed its doors more than four decades ago, its influence endures. By the Nebiolo History Project ‘Global type tour’ ‘Typographics 21’ was a ten-session, online journey that covered type and lettering from around the world – but with the explicit exclusion of Europe and North America. By Montserrat Miranda Ayejes, Stephen Banham, Anoushka Khandwala, Indra Kupferschmid, Gerry Leonidas, Saki Mafundikwa, Ferdinand P. Ulrich and Elena Veguillas ‘In the right hands’ The work of Barcelona type designer Laura Meseguer is a beguiling alchemy of hand- lettering and digital craft. Profile by Jan Middendorp ‘The name’s Caroff. Joe Caroff’ Thilo von Debschitz profiles a man who designed some of the best known movie identities of the past six decades. ‘Design for a better world’ Indian design duo November balances commercial practice with a commitment to social change. By John L. Walters Reviews ‘Tokyo 1964: Designing Tomorrow’ Gotico-Antiqua, Proto-Roman A History of Arab Graphic Design Design in Crisis E. McKnight Kauffer: The Artist in Advertising Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers Lockdown FM One and Many Mirrors Natural Enemies of Books Kris Sowersby: The Art of Letters Gerard Unger, Life in Letters Tom Eckersley The Design of Race Signwriting Tips, Tricks and Inspiration XX: A Novel, Graphic
Note de contenu :	This issue is a ‘Type Special’: ‘As you will see in these pages, there are so many possibilities for contemporary designers and typographers, that some are inclined to look back wistfully at an age when constraints and obstacles were seen as essential to unlocking creativity … Maybe the next “golden age of type” lies in all the new scripts, glyphs and languages we are just starting to acknowledge.’ Featured inside: Thomas Huot-Marchand, Laura Meseguer, November, Joe Caroff, the Nebiolo Project and ‘Global type tour’, an extensive report from Typographics 21.

EYE n°102 : Volume 26, Hiver 2022 [texte imprimé] . - [S.l.] : Eye Magazine Ltd, 2022 . - 114 p.
ISSN : 6632
Eye, the international review of graphic design, is a quarterly printed magazine about graphic design and visual culture.
Langues : Français (fre)

Catégories :	Arts Beaux-Arts et arts décoratifs
Mots-clés :	Eye,  design  graphique,  illustration,  typographie,  design,  Thomas  Huot-Marchand,  Laura  Meseguer,  November,  Joe  Caroff,  Nebiolo  Project,  Typographics  21,
Index. décimale :	700 Les arts. Beaux arts et arts décoratifs
Résumé :	Editorial ‘Rebalancing the design canon’ Elizabeth Resnick looks at the practitioners and educators intent on revising our understanding of women’s roles in design history. ‘Experiments in destabilisation’ A CalArts book celebrates decades of purposeful graphic weirdness. Critique by Rick Poynor ‘Reputations: Thomas Huot-Marchand’ Interview by Véronique Marrier ‘It is not a question of revisiting a typographic style, but of questioning the means of creating typefaces, of establishing a new formal logic by pushing certain parameters to their maximum.’ ‘The Nebiolo legacy’ Though Italy’s most renowned type foundry closed its doors more than four decades ago, its influence endures. By the Nebiolo History Project ‘Global type tour’ ‘Typographics 21’ was a ten-session, online journey that covered type and lettering from around the world – but with the explicit exclusion of Europe and North America. By Montserrat Miranda Ayejes, Stephen Banham, Anoushka Khandwala, Indra Kupferschmid, Gerry Leonidas, Saki Mafundikwa, Ferdinand P. Ulrich and Elena Veguillas ‘In the right hands’ The work of Barcelona type designer Laura Meseguer is a beguiling alchemy of hand- lettering and digital craft. Profile by Jan Middendorp ‘The name’s Caroff. Joe Caroff’ Thilo von Debschitz profiles a man who designed some of the best known movie identities of the past six decades. ‘Design for a better world’ Indian design duo November balances commercial practice with a commitment to social change. By John L. Walters Reviews ‘Tokyo 1964: Designing Tomorrow’ Gotico-Antiqua, Proto-Roman A History of Arab Graphic Design Design in Crisis E. McKnight Kauffer: The Artist in Advertising Extra Bold: A Feminist, Inclusive, Anti-racist, Nonbinary Field Guide for Graphic Designers Lockdown FM One and Many Mirrors Natural Enemies of Books Kris Sowersby: The Art of Letters Gerard Unger, Life in Letters Tom Eckersley The Design of Race Signwriting Tips, Tricks and Inspiration XX: A Novel, Graphic
Note de contenu :	This issue is a ‘Type Special’: ‘As you will see in these pages, there are so many possibilities for contemporary designers and typographers, that some are inclined to look back wistfully at an age when constraints and obstacles were seen as essential to unlocking creativity … Maybe the next “golden age of type” lies in all the new scripts, glyphs and languages we are just starting to acknowledge.’ Featured inside: Thomas Huot-Marchand, Laura Meseguer, November, Joe Caroff, the Nebiolo Project and ‘Global type tour’, an extensive report from Typographics 21.