| Titre : | Slanted Magazine #43 — UKRAINE | | Type de document : | texte imprimé | | Auteurs : | Lars HARMSEN, Auteur ; Yevgen ANFALOV, Auteur ; Oleg DROZDOV, Auteur ; Oleg GRYSHCHENKO, Auteur ; Kateryna KOROLEVTSEVA, Auteur ; Mykola KOVALENKO, Auteur ; Yuliia KOZLOVETS, Auteur ; Lidia LYKHACH, Auteur ; Sergiy MAIDUKOV, Auteur ; Pavlo MAKOV, Auteur ; Sasha MASLOV, Auteur ; Mariia NORAZIAN, Auteur ; Illya PAVLOV, Auteur ; Nadiia RAILKO, Auteur ; Kateryna RIETZ-RAKUL, Auteur ; Anna SARVIRA, Auteur ; Nastia SLEPTSOVA, Auteur ; Daria TITARENKO, Auteur ; Oleksandr TREGUB, Auteur ; Oleg VEKLENKO, Auteur ; Anna ANDREIEVA, Illustrateur | | Editeur : | Karlsruhe [Allemagne] : Slanted Publishers | | Année de publication : | 2024 | | Importance : | 224 p. | | Présentation : | ill. N&B | | Format : | 16 x 24 cm | | ISBN/ISSN/EAN : | 978-3-948440-71-8 | | Prix : | 22,00 € | | Note générale : | Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
_ _ _ _ _ _ _ _ _ _
Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier. | | Langues : | Anglais (eng) | | Catégories : | Graphisme
| | Mots-clés : | revue, Slanted, design graphique, design, graphisme, typographie, Ukraine, designers, graphistes, interview, épistémologie, migration, discrimination, guerre, Russie, communication, vernaculaire, décolonisation, colonisation | | Résumé : | This Slanted issue is not about war. Instead, it delves into the lives of remarkable individuals within the creative industry in and hailing from Ukraine, as they endeavor to maintain a semblance of normalcy amidst their diligent efforts. This narrative underscores the inseparable bond between culture and design, raising the question of its feasibility.
During the NEED conference in Warsaw in early September 2023, the Ukrainian delegation motivated the Slanted team to initiate a magazine dedicated to the Ukrainian design sphere, advocating that “better now than never!” Without their invaluable assistance, input, and valor, such an endeavor would have been inconceivable. The editorial policy refrains from producing issues centered on a city or country if physical presence isn’t feasible, as the essence of a place cannot truly be captured from a distance. However, with each new connection established, the palpable tension among individuals becomes increasingly apparent, underscoring the universal impact of current circumstances.
The sheer volume of nearly 1,500 submissions was overwhelming, and the selection process inherently subjective. Despite meticulous deliberations, every decision, formulation, and work runs the risk of being perceived as flawed, insufficient, or misunderstood. The compilation features 20 interviews with designers and creatives both within and beyond Ukraine, offering diverse insights, responses, and perspectives.
Many of the showcased works and texts reflect upon the ongoing war, which has persisted for over two years. Despite this, there remains a glimmer of hope for its resolution, with a collective aspiration for design discourse to eventually transition to other topics. This issue serves as a significant contemporary time capsule, a testament to the profound impact of design, and an expression of Slanted Publishers’ unwavering commitment to this cause.
_ _ _ _ _ _ _ _ _ _
Ce numéro de Slanted ne traite pas de la guerre. Il se penche plutôt sur la vie d'individus remarquables de l'industrie créative en Ukraine et originaires de ce pays, qui s'efforcent de maintenir un semblant de normalité au milieu de leurs efforts assidus. Ce récit souligne le lien indissociable entre la culture et le design, et soulève la question de sa faisabilité.
Lors de la conférence NEED qui s'est tenue à Varsovie au début du mois de septembre 2023, la délégation ukrainienne a incité l'équipe de Slanted à lancer un magazine consacré à la sphère du design ukrainien, estimant que "mieux vaut maintenant que jamais !". Sans leur aide inestimable, leur contribution et leur courage, une telle entreprise aurait été inconcevable. La politique éditoriale s'abstient de produire des numéros centrés sur une ville ou un pays si une présence physique n'est pas possible, car l'essence d'un lieu ne peut pas vraiment être capturée à distance. Cependant, à chaque nouveau lien établi, la tension palpable entre les individus devient de plus en plus évidente, soulignant l'impact universel des circonstances actuelles.
Le volume de près de 1 500 candidatures a été écrasant, et le processus de sélection intrinsèquement subjectif. Malgré des délibérations méticuleuses, chaque décision, formulation et travail court le risque d'être perçu comme imparfait, insuffisant ou mal compris. La compilation comprend 20 entretiens avec des concepteurs et des créatifs d'Ukraine et d'ailleurs, qui offrent des points de vue, des réponses et des perspectives diversifiés.
Bon nombre des œuvres et des textes présentés reflètent la guerre en cours, qui dure depuis plus de deux ans. Malgré cela, il reste une lueur d'espoir quant à sa résolution, avec une aspiration collective à ce que le discours sur le design passe éventuellement à d'autres sujets. Ce numéro constitue une importante capsule temporelle contemporaine, un témoignage de l'impact profond du design et une expression de l'engagement inébranlable de Slanted Publishers à l'égard de cette cause.
Le magazine présente trois couvertures différentes avec des œuvres de Mykola Kovalenko, Dasha Podoltseva et Anna Sarvira (aucune sélection ne peut être faite). | | Note de contenu : |
CONTENTS:
128- FONTNAMES ILLUSTRATED
136- 10X10 OUTSIDE OF UKRAINE
1/ What made you become a design artist or work in the cultural sector? What are the things you are doing that you enjoy most?
2/ How was your everyday life and your work changed since the war started?
3/ What do you miss most about Ukraine? How do you experience your visits to Ukraine?
4/ What are the questions you are tired of?
5/ Are you connected to the creative/cultural community where you live? How easy was it to become a part of it? Do you feel like you were welcomed as a Ukrainian?
6/ What do you think about the power of art and design in general to make the world a better place? Utopia?
7/ Today, many Ukrainians put their abilities and skills at the service of society. We would like to learn more about your projects or initiatives that you find particularly interesting or that you may have launched yourself.
8/ Let us know the best way to hire and support Ukrainian creatives.
9/ In your opinion, which art actions are the most effective for communicating with the world about Ukraine?
10/ What will you personally do after Ukraine's victory in the war?
151- 10X10 INSIDE OF UKRAINE
1/ First off, are your family and friends safe?
2/ Who are you, what is your background? And what are the things you are doing that you enjoy most?
3/ How was your everyday life and your work changed since the war started?
4/ How is the community in the fields of design and culture coping right now?
5/ How do you think Western Europeans perceived Ukraine before February 2022- and today?
6/ What is an important lesson the Western world can learn from Eastern culture?
7/ What role has social media played since the war broke out in Ukraine? To what extent has the use of these tools changed for you? Which are the most common apps you are using?
8/ Today, many Ukrainians put their abilities and skills at the service of society. We would like to learn more about your projects or initiatives that you find particularly interesting or that you may have launched yourself.
9/ How can people in Ukraine be best supported? What advice would you like to give to those who want to help?
10/ What gives you hope?
173- SASHA BYCHENKO ON VERNACULAR
As designers, we spend years honing our craft. Tools and techniques are important, but empathy is equally crucial. By understanding others, we better understand the society we live in. To become a better design, I focus my attention away from professional design towards the opposite.
177- UKRAINIAN DESIGN HISTORY: FREEDOM AS THE PRIMARY INFLUENTIAL FORCE
Why do you need to explore Ukrainian design and follow Ukrainian designers? This article is about looking for freedom as a leitmotif of Ukrainian design throughout its history, and the role of community in helping it to emerge and resist despite obstacles.
185- CONSTRUCTOR VASYL YERMILOV
In 2024, we commemorate the 130th anniversary of Vasyl Yermolov's birth. The artist emerged as a central figure in Kharkiv during the tumultuous 1920s when the city became the capital of Ukraine. It was in Yermilov's studio that a branch of Ukrainian constructivism took shape. Despite facing repression in he 1930s-50s, including two dismissals from the Kharkiv Art Institute (which he helped establish), Yermilov's status was restored in 1962. He was invited to teach at the new design faculty, laying the foundation for the modern Kharkiv School of Graphic Design.
187/ FLIPPING THE SCRIPT: Multiscript possibilities of Glagolitic revival fro Ukrainian typography and beyond
191/ WHAT FORMED UKRAINIAN DESIGN AND WHAT UKRAINIAN DESIGN IS FORMING
196/ DIGITAL DESIGN IN UKRAINE
200/ TYPOGRAPHIC PATRIOTISM: HOW TO GET RID OF RUSSIAN INFLUENCE ON UKRAINE DESIGN
205/ SIGNS OF THE TIMES
207/ APPENDIX
218/ INDEX | | En ligne : | https://www.slanted.de/product/slanted-magazine-43-ukraine/ |
Slanted Magazine #43 — UKRAINE [texte imprimé] / Lars HARMSEN, Auteur ; Yevgen ANFALOV, Auteur ; Oleg DROZDOV, Auteur ; Oleg GRYSHCHENKO, Auteur ; Kateryna KOROLEVTSEVA, Auteur ; Mykola KOVALENKO, Auteur ; Yuliia KOZLOVETS, Auteur ; Lidia LYKHACH, Auteur ; Sergiy MAIDUKOV, Auteur ; Pavlo MAKOV, Auteur ; Sasha MASLOV, Auteur ; Mariia NORAZIAN, Auteur ; Illya PAVLOV, Auteur ; Nadiia RAILKO, Auteur ; Kateryna RIETZ-RAKUL, Auteur ; Anna SARVIRA, Auteur ; Nastia SLEPTSOVA, Auteur ; Daria TITARENKO, Auteur ; Oleksandr TREGUB, Auteur ; Oleg VEKLENKO, Auteur ; Anna ANDREIEVA, Illustrateur . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, 2024 . - 224 p. : ill. N&B ; 16 x 24 cm. ISBN : 978-3-948440-71-8 : 22,00 € Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
_ _ _ _ _ _ _ _ _ _
Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier. Langues : Anglais ( eng) | Catégories : | Graphisme
| | Mots-clés : | revue, Slanted, design graphique, design, graphisme, typographie, Ukraine, designers, graphistes, interview, épistémologie, migration, discrimination, guerre, Russie, communication, vernaculaire, décolonisation, colonisation | | Résumé : | This Slanted issue is not about war. Instead, it delves into the lives of remarkable individuals within the creative industry in and hailing from Ukraine, as they endeavor to maintain a semblance of normalcy amidst their diligent efforts. This narrative underscores the inseparable bond between culture and design, raising the question of its feasibility.
During the NEED conference in Warsaw in early September 2023, the Ukrainian delegation motivated the Slanted team to initiate a magazine dedicated to the Ukrainian design sphere, advocating that “better now than never!” Without their invaluable assistance, input, and valor, such an endeavor would have been inconceivable. The editorial policy refrains from producing issues centered on a city or country if physical presence isn’t feasible, as the essence of a place cannot truly be captured from a distance. However, with each new connection established, the palpable tension among individuals becomes increasingly apparent, underscoring the universal impact of current circumstances.
The sheer volume of nearly 1,500 submissions was overwhelming, and the selection process inherently subjective. Despite meticulous deliberations, every decision, formulation, and work runs the risk of being perceived as flawed, insufficient, or misunderstood. The compilation features 20 interviews with designers and creatives both within and beyond Ukraine, offering diverse insights, responses, and perspectives.
Many of the showcased works and texts reflect upon the ongoing war, which has persisted for over two years. Despite this, there remains a glimmer of hope for its resolution, with a collective aspiration for design discourse to eventually transition to other topics. This issue serves as a significant contemporary time capsule, a testament to the profound impact of design, and an expression of Slanted Publishers’ unwavering commitment to this cause.
_ _ _ _ _ _ _ _ _ _
Ce numéro de Slanted ne traite pas de la guerre. Il se penche plutôt sur la vie d'individus remarquables de l'industrie créative en Ukraine et originaires de ce pays, qui s'efforcent de maintenir un semblant de normalité au milieu de leurs efforts assidus. Ce récit souligne le lien indissociable entre la culture et le design, et soulève la question de sa faisabilité.
Lors de la conférence NEED qui s'est tenue à Varsovie au début du mois de septembre 2023, la délégation ukrainienne a incité l'équipe de Slanted à lancer un magazine consacré à la sphère du design ukrainien, estimant que "mieux vaut maintenant que jamais !". Sans leur aide inestimable, leur contribution et leur courage, une telle entreprise aurait été inconcevable. La politique éditoriale s'abstient de produire des numéros centrés sur une ville ou un pays si une présence physique n'est pas possible, car l'essence d'un lieu ne peut pas vraiment être capturée à distance. Cependant, à chaque nouveau lien établi, la tension palpable entre les individus devient de plus en plus évidente, soulignant l'impact universel des circonstances actuelles.
Le volume de près de 1 500 candidatures a été écrasant, et le processus de sélection intrinsèquement subjectif. Malgré des délibérations méticuleuses, chaque décision, formulation et travail court le risque d'être perçu comme imparfait, insuffisant ou mal compris. La compilation comprend 20 entretiens avec des concepteurs et des créatifs d'Ukraine et d'ailleurs, qui offrent des points de vue, des réponses et des perspectives diversifiés.
Bon nombre des œuvres et des textes présentés reflètent la guerre en cours, qui dure depuis plus de deux ans. Malgré cela, il reste une lueur d'espoir quant à sa résolution, avec une aspiration collective à ce que le discours sur le design passe éventuellement à d'autres sujets. Ce numéro constitue une importante capsule temporelle contemporaine, un témoignage de l'impact profond du design et une expression de l'engagement inébranlable de Slanted Publishers à l'égard de cette cause.
Le magazine présente trois couvertures différentes avec des œuvres de Mykola Kovalenko, Dasha Podoltseva et Anna Sarvira (aucune sélection ne peut être faite). | | Note de contenu : |
CONTENTS:
128- FONTNAMES ILLUSTRATED
136- 10X10 OUTSIDE OF UKRAINE
1/ What made you become a design artist or work in the cultural sector? What are the things you are doing that you enjoy most?
2/ How was your everyday life and your work changed since the war started?
3/ What do you miss most about Ukraine? How do you experience your visits to Ukraine?
4/ What are the questions you are tired of?
5/ Are you connected to the creative/cultural community where you live? How easy was it to become a part of it? Do you feel like you were welcomed as a Ukrainian?
6/ What do you think about the power of art and design in general to make the world a better place? Utopia?
7/ Today, many Ukrainians put their abilities and skills at the service of society. We would like to learn more about your projects or initiatives that you find particularly interesting or that you may have launched yourself.
8/ Let us know the best way to hire and support Ukrainian creatives.
9/ In your opinion, which art actions are the most effective for communicating with the world about Ukraine?
10/ What will you personally do after Ukraine's victory in the war?
151- 10X10 INSIDE OF UKRAINE
1/ First off, are your family and friends safe?
2/ Who are you, what is your background? And what are the things you are doing that you enjoy most?
3/ How was your everyday life and your work changed since the war started?
4/ How is the community in the fields of design and culture coping right now?
5/ How do you think Western Europeans perceived Ukraine before February 2022- and today?
6/ What is an important lesson the Western world can learn from Eastern culture?
7/ What role has social media played since the war broke out in Ukraine? To what extent has the use of these tools changed for you? Which are the most common apps you are using?
8/ Today, many Ukrainians put their abilities and skills at the service of society. We would like to learn more about your projects or initiatives that you find particularly interesting or that you may have launched yourself.
9/ How can people in Ukraine be best supported? What advice would you like to give to those who want to help?
10/ What gives you hope?
173- SASHA BYCHENKO ON VERNACULAR
As designers, we spend years honing our craft. Tools and techniques are important, but empathy is equally crucial. By understanding others, we better understand the society we live in. To become a better design, I focus my attention away from professional design towards the opposite.
177- UKRAINIAN DESIGN HISTORY: FREEDOM AS THE PRIMARY INFLUENTIAL FORCE
Why do you need to explore Ukrainian design and follow Ukrainian designers? This article is about looking for freedom as a leitmotif of Ukrainian design throughout its history, and the role of community in helping it to emerge and resist despite obstacles.
185- CONSTRUCTOR VASYL YERMILOV
In 2024, we commemorate the 130th anniversary of Vasyl Yermolov's birth. The artist emerged as a central figure in Kharkiv during the tumultuous 1920s when the city became the capital of Ukraine. It was in Yermilov's studio that a branch of Ukrainian constructivism took shape. Despite facing repression in he 1930s-50s, including two dismissals from the Kharkiv Art Institute (which he helped establish), Yermilov's status was restored in 1962. He was invited to teach at the new design faculty, laying the foundation for the modern Kharkiv School of Graphic Design.
187/ FLIPPING THE SCRIPT: Multiscript possibilities of Glagolitic revival fro Ukrainian typography and beyond
191/ WHAT FORMED UKRAINIAN DESIGN AND WHAT UKRAINIAN DESIGN IS FORMING
196/ DIGITAL DESIGN IN UKRAINE
200/ TYPOGRAPHIC PATRIOTISM: HOW TO GET RID OF RUSSIAN INFLUENCE ON UKRAINE DESIGN
205/ SIGNS OF THE TIMES
207/ APPENDIX
218/ INDEX | | En ligne : | https://www.slanted.de/product/slanted-magazine-43-ukraine/ |
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