Titre :	EYE n°105
Type de document :	texte imprimé
Auteurs :	John L. WALTERS, Directeur de publication, rédacteur en chef ; Simon ESTERSON, Directeur artistique ; POYNOR, Rick, Auteur ; Louise SANDHAUS, Auteur ; BANTJES, Marian, Auteur ; SINCLAIR, Mark, Auteur ; Elizabeth RESNICK, Auteur
Editeur :	Eye Magazine Ltd
Année de publication :	2023
Importance :	108 p.
Présentation :	ill. N&B et coul.
Format :	23,5 x 29,5 cm
ISBN/ISSN/EAN :	7008
Prix :	£ 20,00
Langues :	Anglais (eng)
Catégories :	Graphisme, illustration, art publicitaire
Mots-clés :	nglais  (eng) Mots-clés  :  magazine,  graphisme,  design,  journal,  designers,  culture  visuelle,  issue,  graphic  visual  culture,  review
Résumé :	At a time when people are seeing Artificial Intelligence as either a get-rich scheme or an existential threat, Marian Bantjes’ article ‘Artificial idiot’ is a useful corrective to the tsunami of commentary. Bantjes has taken the time to investigate the processes required to coax something interesting out of Midjourney, and has found a typically novel way to incorporate the application into her own practice. Along the way she has discussed the issue with other experimenters, notably Pum Lefebure (Design Army) and Jonathan Hoefler, and has come up with some provocative and fascinating observations. Meanwhile, quizzed by Louise Sandhaus in our Reputations interview, brand supremo Brian Collins has a more Tiggerish take on AI: ‘We must now become as fluent with AI as we are with colour, shape, form, type, glyphs, motion, sound and words.’ Dennis Gould’s practice stems from the early 1990s, a time when a poet could become a printer with the purchase of an obsolete proofing press. As mainstream graphic design entered a turbulent period of adjustment to the emerging digital world, Gould pursued an aesthetic and political agenda rooted in earlier, more analogue (and revolutionary) times. ‘The quiet confidence of Tomoko Miho’ is the latest in Elizabeth Resnick’s series of eloquent profiles from recent graphic design history, while ‘The power of physical books’ takes the temperature of current practice, with a detailed overview of the considered and typographically resonant work of Sonya Dyakova’s Atelier Dyakova.
Note de contenu :	CONTENTS: Editorial Eye 105 John L. Walters OPINION * Connecting a collection A stylish pack of artist cards celebrates this German-Japanese collaboration. By John L. Walters * Overloading the page A big survey of Dutch photobooks raises issues about visual editing and layout. Critique by Rick Poynor FEATURES * Reputations: Brian Collins ‘The way I see it, problem-seeking is the yin to the yang of problem-solving. Solving is narrow and practical. Seeking is expansive and brimming with possibility. Solving asks “What’s wrong?” and then tries to fix it. Seeking asks “What if?” and then shows how.’ Interview by Louise Sandhaus [EXTRACT] * Artificial idiot Unpredictable, cliché’d, wonderful, neither artificial nor intelligent– is AI the dumbest new kid on the block or the future of illustration? Marian Bantjes explores the weird world of text-to-image generators [EXTRACT] * Artificial idiot: Pegasi, people and golden warriors Marian Bantjes makes collages using multiple AI images [EXTRACT] * Artificial idiot: Deep fake, pink fake Pum Lefebure’s Design Army made AI ‘space tourism’ landscapes for an adventurous client. By Marian Bantjes / Eye Editors [EXTRACT] * Artificial idiot: Puzzling answers to nonexistent questions Jonathan Hoefler experiments with AI to create what he calls ‘Apocryphal Inventions’. By Marian Bantjes / Eye Editors [EXTRACT] * The power of physical books Sonya Dyakova has a way with words, ideas, space and type. By Mark Sinclair [EXTRACT] * The creative anarchist Printer, poet, designer and publisher Dennis Gould interweaves the personal with the political in his clamorous, intuitive letterpress work. By Rick Poynor. [EXTRACT] * The quiet confidence of Tomoko Miho The influence of three continents underpins the meticulous work of this underrated Japanese-American graphic designer. By Elizabeth Resnick [EXTRACT] REVIEWS - ‘Wave: Currents in Japanese Graphic Arts’ - The Graphic Language of Neville Brody/3 - What is Post-Branding? How to Counter Fundamentalist Marketplace Semiotics - Design, Ecology, Politics: Towards the Ecocene - Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema - Milton Glaser: Pop - Heated Words: Searching for a Mysterious Typeface - Strikethrough: Typographic Messages of Protest - A Cantos Compendium – Paulo de Cantos (1892-1979) A designer of pedagogical theories - ‘ATypI Paris 2023: Rendez-vous’ - Inventing the Alphabet: The Origins of Letters from Antiquity to the Present - QSL? (Do You Confirm Receipt of My Transmission?) - Critical Visualization: Rethinking the Representation of Data - Skolos+Wedell, Overlap / Dissolve
En ligne :	https://www.eyemagazine.com/magazine/issue-105

EYE n°105 [texte imprimé] / John L. WALTERS, Directeur de publication, rédacteur en chef ; Simon ESTERSON, Directeur artistique ; POYNOR, Rick, Auteur ; Louise SANDHAUS, Auteur ; BANTJES, Marian, Auteur ; SINCLAIR, Mark, Auteur ; Elizabeth RESNICK, Auteur . - [S.l.] : Eye Magazine Ltd, 2023 . - 108 p. : ill. N&B et coul. ; 23,5 x 29,5 cm.
ISSN : 7008 : £ 20,00
Langues : Anglais (eng)

Catégories :	Graphisme, illustration, art publicitaire
Mots-clés :	nglais  (eng) Mots-clés  :  magazine,  graphisme,  design,  journal,  designers,  culture  visuelle,  issue,  graphic  visual  culture,  review
Résumé :	At a time when people are seeing Artificial Intelligence as either a get-rich scheme or an existential threat, Marian Bantjes’ article ‘Artificial idiot’ is a useful corrective to the tsunami of commentary. Bantjes has taken the time to investigate the processes required to coax something interesting out of Midjourney, and has found a typically novel way to incorporate the application into her own practice. Along the way she has discussed the issue with other experimenters, notably Pum Lefebure (Design Army) and Jonathan Hoefler, and has come up with some provocative and fascinating observations. Meanwhile, quizzed by Louise Sandhaus in our Reputations interview, brand supremo Brian Collins has a more Tiggerish take on AI: ‘We must now become as fluent with AI as we are with colour, shape, form, type, glyphs, motion, sound and words.’ Dennis Gould’s practice stems from the early 1990s, a time when a poet could become a printer with the purchase of an obsolete proofing press. As mainstream graphic design entered a turbulent period of adjustment to the emerging digital world, Gould pursued an aesthetic and political agenda rooted in earlier, more analogue (and revolutionary) times. ‘The quiet confidence of Tomoko Miho’ is the latest in Elizabeth Resnick’s series of eloquent profiles from recent graphic design history, while ‘The power of physical books’ takes the temperature of current practice, with a detailed overview of the considered and typographically resonant work of Sonya Dyakova’s Atelier Dyakova.
Note de contenu :	CONTENTS: Editorial Eye 105 John L. Walters OPINION * Connecting a collection A stylish pack of artist cards celebrates this German-Japanese collaboration. By John L. Walters * Overloading the page A big survey of Dutch photobooks raises issues about visual editing and layout. Critique by Rick Poynor FEATURES * Reputations: Brian Collins ‘The way I see it, problem-seeking is the yin to the yang of problem-solving. Solving is narrow and practical. Seeking is expansive and brimming with possibility. Solving asks “What’s wrong?” and then tries to fix it. Seeking asks “What if?” and then shows how.’ Interview by Louise Sandhaus [EXTRACT] * Artificial idiot Unpredictable, cliché’d, wonderful, neither artificial nor intelligent– is AI the dumbest new kid on the block or the future of illustration? Marian Bantjes explores the weird world of text-to-image generators [EXTRACT] * Artificial idiot: Pegasi, people and golden warriors Marian Bantjes makes collages using multiple AI images [EXTRACT] * Artificial idiot: Deep fake, pink fake Pum Lefebure’s Design Army made AI ‘space tourism’ landscapes for an adventurous client. By Marian Bantjes / Eye Editors [EXTRACT] * Artificial idiot: Puzzling answers to nonexistent questions Jonathan Hoefler experiments with AI to create what he calls ‘Apocryphal Inventions’. By Marian Bantjes / Eye Editors [EXTRACT] * The power of physical books Sonya Dyakova has a way with words, ideas, space and type. By Mark Sinclair [EXTRACT] * The creative anarchist Printer, poet, designer and publisher Dennis Gould interweaves the personal with the political in his clamorous, intuitive letterpress work. By Rick Poynor. [EXTRACT] * The quiet confidence of Tomoko Miho The influence of three continents underpins the meticulous work of this underrated Japanese-American graphic designer. By Elizabeth Resnick [EXTRACT] REVIEWS - ‘Wave: Currents in Japanese Graphic Arts’ - The Graphic Language of Neville Brody/3 - What is Post-Branding? How to Counter Fundamentalist Marketplace Semiotics - Design, Ecology, Politics: Towards the Ecocene - Moving Pictures Painted: 200 Posters from the Golden Age of Egyptian Cinema - Milton Glaser: Pop - Heated Words: Searching for a Mysterious Typeface - Strikethrough: Typographic Messages of Protest - A Cantos Compendium – Paulo de Cantos (1892-1979) A designer of pedagogical theories - ‘ATypI Paris 2023: Rendez-vous’ - Inventing the Alphabet: The Origins of Letters from Antiquity to the Present - QSL? (Do You Confirm Receipt of My Transmission?) - Critical Visualization: Rethinking the Representation of Data - Skolos+Wedell, Overlap / Dissolve
En ligne :	https://www.eyemagazine.com/magazine/issue-105