Titre :	Art Monthly #421 : November 2018
Type de document :	texte imprimé
Auteurs :	Patricia BICKERS, Directeur de publication, rédacteur en chef
Editeur :	Londres [Angleterre] : Hali Publications Ltd.
Année de publication :	2018
Importance :	60 p.
Présentation :	ill. N&B et coul.
Format :	21 x 29,7 cm
ISBN/ISSN/EAN :	7124
Prix :	Don de artconnexion
Note générale :	Art Monthly, published by the Art Monthly Foundation registered charity, is the UK’s leading magazine of contemporary visual art. Published ten times a year in bold black and white, it keeps you in touch with the complex and ever-evolving art world through in-depth features, interviews with artists, profiles on emerging artists and coverage of major trends and developments by independent critics. In addition to the extensive reviews section covering exhibitions and books, Art Monthly is the only magazine with a regular column on Artlaw. Art Monthly also publishes regular reports from around the world in its ‘Letters from’ section.
Langues :	Anglais (eng)
Catégories :	3. Culture:3.50 Arts visuels:Arts visuels
Mots-clés :	revue,  magazine,  art,  art  contemporain,  arts  visuels
Note de contenu :	CONTENTS: * INTERVIEW: Check It Out Kerry James Marshall interviewed by Larne Abse Gogarty Alabama-born, Chicago-based artist Kerry James Marshall believes that you have to work with the history you start out with before you can change it, but first you need to know everything you can about everything. * FEATURE: The Collector The role of the collector is too often confused with that of the investor, argues Mark Prince Taking a cue from the collector Count Panza and artists Sol LeWitt, Jorge Pardo and Lawrence Weiner, in the face of the ever-growing investment market for contemporary art, is it possible for artists to have a healthier relationship with the market? * EDITORIAL: Not in My Name Last month’s so-called People’s Vote march drew an impressive 670,000 campaigners to the streets of London, but then the 2003 Stop the War march boasted a larger attendence yet it didn’t stop the bombs from falling only a month later. So if mass demonstrations don’t work, isn’t it time that Parliament took some responsibility for the mess, and the breaching by Brexiters of campaign financing laws (not to mention outside interference in the process itself), by voiding the referendum result? * ARTNOTES: Undignified - The Natural History Museum faces protests over a reception for the Saudi Arabian embassy in the wake of the reported assassination of journalist Jamal Khashoggi; - the British Museum launches a series of talks attempting to counter alternative histories presented by Alice Procter’s Uncomfortable Art Tours; - international museum curators continue to be sacked or resign in controversial circumstances; - BBZ London protest the work of Luke Willis Thompson at the Turner Prize; - plus the latest news on galleries, appointments, prizes and more. * PROFILE: Lucy Beech The Hull-born, Berlin-based artist blends documentary and fiction in films which explore all-women contexts from funeral care to fertility tourism. * FILM - Berwick Film and Media Art Festival: Across diverse offerings, the pleasure of the programming at BFMAF lies in its embrace of the feral and the heretical, the intimate and the insurrectionary. - Experimenta: It is clear that the London Film Festival doesn’t fully know the considerable value Experimenta represents, and it seems to dangle by a thread. * BOOKS - Regeneration Songs: Sounds of Investment and Loss from East London: Although the book has a ‘Fighting Back’ section, it’s limited in what it actually proposes. * THE ATLANTIC PROJECT: After the Future It is a shame that Donald Rodney’s earlier piece Visceral Canker, 1990, a radical critique of Britain’s first slave trader and celebrated plymouthian, John Hawkins, went unmentioned considering its local connection. * LETTER FROM KAMPALA: Afriart Bobi Wine hopes to replace the current autocratic president Yoweri Museveni and, as the self-proclaimed ‘ghetto president’, he has galvanised a disenfranchised younger generation. Around 77% of Uganda’s population is under 30 and there is a call for imminent and much-needed change. * LETTER FROM MOSCOW: Power Station Moscow’s cultural institutions are excavating and augmenting their collections to tell a more expansive account of Russia’s 20th-century history, one that, as with the Tretyakov and the Muzeon Park of Arts, includes socialist realist as well as avant-garde and ‘unofficial’ art like Ilya Kabakov’s. * LETTER FROM BERLIN: Containerisation In an adjacent hanger and outside the disused terminal is a more clearly controversial and troubling architecture of impermanence, the refugee camp where asylum seekers arriving in Berlin have been housed on a rotating basis since 2015. * CONFERENCE: Steirischer Herbst: Our Little Fascisms The bin, shaped like the recycling bins that urge us to throw in old clothes or used batteries, asks for old Nazi memorabilia instead. * WAYS OF WORKING: Love & Money There has been an unprecedented amount of media coverage of Banksy’s shredding of Girl with Balloon, 2006, since the incident took place at Sotheby’s London’s evening sale of contemporary art on 5 October 2018. But none of this has addressed a central issue: artists’ rights after there has been a transfer of ownership. EXHIBITIONS - Manifesta 12: The Planetary Garden – Cultivating Coexistence / various venues, Palermo - Taus Makhacheva: Baida / narrative projects, London - Raqs Media Collective: Not Yet At Ease / Firstsite, Colchester - Liquid Crystal Display / Site Gallery, Sheffield - Tania Kovats: Troubled Waters / Phoenix, Exeter - Knock Knock: Humour in Contemporary Art / South London Gallery, London - Amy Sillman: Landline / Camden Arts Centre, London - Senga Nengudi / Henry Moore Institute, Leeds - Survey / Jerwood Space, London - Visions in the Nunnery / Nunnery Gallery, London - Marcia Farquhar: Difficuλt / CGP London: The Gallery and Dilston Grove - Dan Graham: Rock ’n’ Roll // Rodney Graham: Central Questions of Philosophy / Lisson Gallery, London
En ligne :	https://artmonthly.co.uk/magazine/site/issue/november-2018

Art Monthly #421 : November 2018 [texte imprimé] / Patricia BICKERS, Directeur de publication, rédacteur en chef . - Londres (Angleterre) : Hali Publications Ltd., 2018 . - 60 p. : ill. N&B et coul. ; 21 x 29,7 cm.
ISSN : 7124 : Don de artconnexion

Art Monthly, published by the Art Monthly Foundation registered charity, is the UK’s leading magazine of contemporary visual art. Published ten times a year in bold black and white, it keeps you in touch with the complex and ever-evolving art world through in-depth features, interviews with artists, profiles on emerging artists and coverage of major trends and developments by independent critics.

In addition to the extensive reviews section covering exhibitions and books, Art Monthly is the only magazine with a regular column on Artlaw. Art Monthly also publishes regular reports from around the world in its ‘Letters from’ section.

Langues : Anglais (eng)

Catégories :	3. Culture:3.50 Arts visuels:Arts visuels
Mots-clés :	revue,  magazine,  art,  art  contemporain,  arts  visuels
Note de contenu :	CONTENTS: * INTERVIEW: Check It Out Kerry James Marshall interviewed by Larne Abse Gogarty Alabama-born, Chicago-based artist Kerry James Marshall believes that you have to work with the history you start out with before you can change it, but first you need to know everything you can about everything. * FEATURE: The Collector The role of the collector is too often confused with that of the investor, argues Mark Prince Taking a cue from the collector Count Panza and artists Sol LeWitt, Jorge Pardo and Lawrence Weiner, in the face of the ever-growing investment market for contemporary art, is it possible for artists to have a healthier relationship with the market? * EDITORIAL: Not in My Name Last month’s so-called People’s Vote march drew an impressive 670,000 campaigners to the streets of London, but then the 2003 Stop the War march boasted a larger attendence yet it didn’t stop the bombs from falling only a month later. So if mass demonstrations don’t work, isn’t it time that Parliament took some responsibility for the mess, and the breaching by Brexiters of campaign financing laws (not to mention outside interference in the process itself), by voiding the referendum result? * ARTNOTES: Undignified - The Natural History Museum faces protests over a reception for the Saudi Arabian embassy in the wake of the reported assassination of journalist Jamal Khashoggi; - the British Museum launches a series of talks attempting to counter alternative histories presented by Alice Procter’s Uncomfortable Art Tours; - international museum curators continue to be sacked or resign in controversial circumstances; - BBZ London protest the work of Luke Willis Thompson at the Turner Prize; - plus the latest news on galleries, appointments, prizes and more. * PROFILE: Lucy Beech The Hull-born, Berlin-based artist blends documentary and fiction in films which explore all-women contexts from funeral care to fertility tourism. * FILM - Berwick Film and Media Art Festival: Across diverse offerings, the pleasure of the programming at BFMAF lies in its embrace of the feral and the heretical, the intimate and the insurrectionary. - Experimenta: It is clear that the London Film Festival doesn’t fully know the considerable value Experimenta represents, and it seems to dangle by a thread. * BOOKS - Regeneration Songs: Sounds of Investment and Loss from East London: Although the book has a ‘Fighting Back’ section, it’s limited in what it actually proposes. * THE ATLANTIC PROJECT: After the Future It is a shame that Donald Rodney’s earlier piece Visceral Canker, 1990, a radical critique of Britain’s first slave trader and celebrated plymouthian, John Hawkins, went unmentioned considering its local connection. * LETTER FROM KAMPALA: Afriart Bobi Wine hopes to replace the current autocratic president Yoweri Museveni and, as the self-proclaimed ‘ghetto president’, he has galvanised a disenfranchised younger generation. Around 77% of Uganda’s population is under 30 and there is a call for imminent and much-needed change. * LETTER FROM MOSCOW: Power Station Moscow’s cultural institutions are excavating and augmenting their collections to tell a more expansive account of Russia’s 20th-century history, one that, as with the Tretyakov and the Muzeon Park of Arts, includes socialist realist as well as avant-garde and ‘unofficial’ art like Ilya Kabakov’s. * LETTER FROM BERLIN: Containerisation In an adjacent hanger and outside the disused terminal is a more clearly controversial and troubling architecture of impermanence, the refugee camp where asylum seekers arriving in Berlin have been housed on a rotating basis since 2015. * CONFERENCE: Steirischer Herbst: Our Little Fascisms The bin, shaped like the recycling bins that urge us to throw in old clothes or used batteries, asks for old Nazi memorabilia instead. * WAYS OF WORKING: Love & Money There has been an unprecedented amount of media coverage of Banksy’s shredding of Girl with Balloon, 2006, since the incident took place at Sotheby’s London’s evening sale of contemporary art on 5 October 2018. But none of this has addressed a central issue: artists’ rights after there has been a transfer of ownership. EXHIBITIONS - Manifesta 12: The Planetary Garden – Cultivating Coexistence / various venues, Palermo - Taus Makhacheva: Baida / narrative projects, London - Raqs Media Collective: Not Yet At Ease / Firstsite, Colchester - Liquid Crystal Display / Site Gallery, Sheffield - Tania Kovats: Troubled Waters / Phoenix, Exeter - Knock Knock: Humour in Contemporary Art / South London Gallery, London - Amy Sillman: Landline / Camden Arts Centre, London - Senga Nengudi / Henry Moore Institute, Leeds - Survey / Jerwood Space, London - Visions in the Nunnery / Nunnery Gallery, London - Marcia Farquhar: Difficuλt / CGP London: The Gallery and Dilston Grove - Dan Graham: Rock ’n’ Roll // Rodney Graham: Central Questions of Philosophy / Lisson Gallery, London
En ligne :	https://artmonthly.co.uk/magazine/site/issue/november-2018