Titre :	Art Monthly #422 : December 2018-January 2019
Type de document :	texte imprimé
Auteurs :	Patricia BICKERS, Directeur de publication, rédacteur en chef
Editeur :	Londres [Angleterre] : Hali Publications Ltd.
Année de publication :	2018
Importance :	60 p.
Présentation :	ill. N&B et coul.
Format :	21 x 29,7 cm
ISBN/ISSN/EAN :	7125
Prix :	Don de artconnexion
Note générale :	Art Monthly, published by the Art Monthly Foundation registered charity, is the UK’s leading magazine of contemporary visual art. Published ten times a year in bold black and white, it keeps you in touch with the complex and ever-evolving art world through in-depth features, interviews with artists, profiles on emerging artists and coverage of major trends and developments by independent critics. In addition to the extensive reviews section covering exhibitions and books, Art Monthly is the only magazine with a regular column on Artlaw. Art Monthly also publishes regular reports from around the world in its ‘Letters from’ section.
Langues :	Anglais (eng)
Catégories :	3. Culture:3.50 Arts visuels:Arts visuels
Mots-clés :	revue,  magazine,  art,  art  contemporain,  arts  visuels
Note de contenu :	CONTENTS: * INTERVIEW: Break In Dara Birnbaum interviewed by Maria Walsh The pioneering video artist who took on television and embraced activism discusses the power of media and the importance of remembrance. * FEATURE: Dematerialised and Dark Francis Frascina examines archival activism in the digital ag Is the work of pioneering archive activists, such as Lucy Lippard and Luis Camnitzer, negated by the archive’s technological turn, as tackled by the work of Trevor Paglen and Hito Steyerl, or in dialogue with it? * FEATURE: Deep Time Rob La Frenais on art that might outlive the human race As the reality of climate change comes into sharp focus, what does it mean for long-duration artworks by artists such as Robert Smithson and John Latham or Katie Paterson and Bebe Williams – and does it matter that no one may be around to see them? * ARTNOTES: Art Prescribed - Health secretary Matt Hancock calls for GPs to prescibe art via public libraries; - ACE publishes a new report on the socio-economic divisions in arts engagement, education being noted as a prime factor; - artist Gavin Turk is arrested during the Extinction Rebellion climate-change protest blockading London roads; - oil giant Shell ends its relationship with the National Gallery to focus its corporate influence on schools; - fake exhibitions purporting to be by Yayoi Kusama and Takeshi Murakami tour China; - plus the latest news on galleries, appointments, prizes and more. * BOOKS: - k-punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016): What k-punk is undeniably clear about is Mark Fisher’s stand against today’s anti-intellectualism. It places him as a thinker and writer whose work – varied and prodigious – will continue to have relevance as long as there is any doubt that we should function in solidarity. - Mirror-Touch Synaesthesia: Thresholds of Empathy with Art: While phenomenology is acknowledged and addressed positively by many of the book’s contributors, contemporary neuroscience’s grounding in technologies that evidence the workings of the brain overshadows the former’s more imaginary projecting consciousness. * LETTER FROM NORTH RHINE-WESTPHALIA: Known/Unknowns Just to the west of Dusseldorf, in the slightly down-at-heel town of Monchengladbach, is Museum Abteiberg, which deserves to be world-famous. * LETTER FROM DUBAI: Bad Timing Oil, a material that is both life-giving and life- destroying, is taken as something both ‘magical’ and ‘insidious’. * ART AFTER DEATH: Living Legacies Two interesting new tools have recently been published to help artists plan their legacies. These endeavours are welcome additions to the growing number of initiatives developed in recent years focusing on artists’ estates – whether from the perspective of living artists planning for posterity, or of heirs and successors inheriting management duties. * EXHIBITIONS: - Before Projection: Video Sculpture 1974-1995 / SculptureCenter, New York - Antarctica: An Exhibition on Alienation / Kunsthalle, Vienna - Low Form: Imaginaries and Visions in the Age of Artificial Intelligence / MAXXI, Rome - John Akomfrah: Mimesis – African Soldier / Imperial War Museum London - Henrik Olesen: Hey Panopticon! Hey Asymmetry! / Schinkel Pavilion, Berlin - mounir fatmi: This is My Body / Art Bartschi & Cie, Geneva - Still I Rise / Nottingham Contemporary - Bow Gamelan Ensemble: Great Noises that Fill the Air / Cooper Gallery, Dundee - Judson Dance Theatre: The Work is Never Done / MoMA, New York - Chris Paul Daniels: Northern Lights / Grundy Art Gallery, Blackpool - Nashashibi/Skaer: Thinking through other artists / Tate St Ives - Chila Kumari Singh Burman: Tales of Valiant Queens / MIMA, Middlesbrough - Flo Brooks: Scrubbers / Project Native Informant, London
En ligne :	https://artmonthly.co.uk/magazine/site/issue/dec-jan-18-19

Art Monthly #422 : December 2018-January 2019 [texte imprimé] / Patricia BICKERS, Directeur de publication, rédacteur en chef . - Londres (Angleterre) : Hali Publications Ltd., 2018 . - 60 p. : ill. N&B et coul. ; 21 x 29,7 cm.
ISSN : 7125 : Don de artconnexion
Art Monthly, published by the Art Monthly Foundation registered charity, is the UK’s leading magazine of contemporary visual art. Published ten times a year in bold black and white, it keeps you in touch with the complex and ever-evolving art world through in-depth features, interviews with artists, profiles on emerging artists and coverage of major trends and developments by independent critics.

In addition to the extensive reviews section covering exhibitions and books, Art Monthly is the only magazine with a regular column on Artlaw. Art Monthly also publishes regular reports from around the world in its ‘Letters from’ section.

Langues : Anglais (eng)

Catégories :	3. Culture:3.50 Arts visuels:Arts visuels
Mots-clés :	revue,  magazine,  art,  art  contemporain,  arts  visuels
Note de contenu :	CONTENTS: * INTERVIEW: Break In Dara Birnbaum interviewed by Maria Walsh The pioneering video artist who took on television and embraced activism discusses the power of media and the importance of remembrance. * FEATURE: Dematerialised and Dark Francis Frascina examines archival activism in the digital ag Is the work of pioneering archive activists, such as Lucy Lippard and Luis Camnitzer, negated by the archive’s technological turn, as tackled by the work of Trevor Paglen and Hito Steyerl, or in dialogue with it? * FEATURE: Deep Time Rob La Frenais on art that might outlive the human race As the reality of climate change comes into sharp focus, what does it mean for long-duration artworks by artists such as Robert Smithson and John Latham or Katie Paterson and Bebe Williams – and does it matter that no one may be around to see them? * ARTNOTES: Art Prescribed - Health secretary Matt Hancock calls for GPs to prescibe art via public libraries; - ACE publishes a new report on the socio-economic divisions in arts engagement, education being noted as a prime factor; - artist Gavin Turk is arrested during the Extinction Rebellion climate-change protest blockading London roads; - oil giant Shell ends its relationship with the National Gallery to focus its corporate influence on schools; - fake exhibitions purporting to be by Yayoi Kusama and Takeshi Murakami tour China; - plus the latest news on galleries, appointments, prizes and more. * BOOKS: - k-punk: The Collected and Unpublished Writings of Mark Fisher (2004-2016): What k-punk is undeniably clear about is Mark Fisher’s stand against today’s anti-intellectualism. It places him as a thinker and writer whose work – varied and prodigious – will continue to have relevance as long as there is any doubt that we should function in solidarity. - Mirror-Touch Synaesthesia: Thresholds of Empathy with Art: While phenomenology is acknowledged and addressed positively by many of the book’s contributors, contemporary neuroscience’s grounding in technologies that evidence the workings of the brain overshadows the former’s more imaginary projecting consciousness. * LETTER FROM NORTH RHINE-WESTPHALIA: Known/Unknowns Just to the west of Dusseldorf, in the slightly down-at-heel town of Monchengladbach, is Museum Abteiberg, which deserves to be world-famous. * LETTER FROM DUBAI: Bad Timing Oil, a material that is both life-giving and life- destroying, is taken as something both ‘magical’ and ‘insidious’. * ART AFTER DEATH: Living Legacies Two interesting new tools have recently been published to help artists plan their legacies. These endeavours are welcome additions to the growing number of initiatives developed in recent years focusing on artists’ estates – whether from the perspective of living artists planning for posterity, or of heirs and successors inheriting management duties. * EXHIBITIONS: - Before Projection: Video Sculpture 1974-1995 / SculptureCenter, New York - Antarctica: An Exhibition on Alienation / Kunsthalle, Vienna - Low Form: Imaginaries and Visions in the Age of Artificial Intelligence / MAXXI, Rome - John Akomfrah: Mimesis – African Soldier / Imperial War Museum London - Henrik Olesen: Hey Panopticon! Hey Asymmetry! / Schinkel Pavilion, Berlin - mounir fatmi: This is My Body / Art Bartschi & Cie, Geneva - Still I Rise / Nottingham Contemporary - Bow Gamelan Ensemble: Great Noises that Fill the Air / Cooper Gallery, Dundee - Judson Dance Theatre: The Work is Never Done / MoMA, New York - Chris Paul Daniels: Northern Lights / Grundy Art Gallery, Blackpool - Nashashibi/Skaer: Thinking through other artists / Tate St Ives - Chila Kumari Singh Burman: Tales of Valiant Queens / MIMA, Middlesbrough - Flo Brooks: Scrubbers / Project Native Informant, London
En ligne :	https://artmonthly.co.uk/magazine/site/issue/dec-jan-18-19