| Titre : | Journal of Philosophy and the Visual Arts (Jpva) – No. 6 : Complexity | | Type de document : | texte imprimé | | Auteurs : | Andrew BENJAMIN, Directeur de publication, rédacteur en chef ; GUATTARI, Félix, Auteur ; Jean-Jacques LECERCLE, Auteur ; Bernard CACHE, Auteur ; Kath Renark JONES, Auteur ; LYNN, Greg, Auteur ; Bracha LICHTENBERG ETTINGER, Auteur ; Christian GIRARD, Auteur ; Arakawa GINS, Auteur ; Madeline GINS, Auteur ; Mary Ann CAWS, Auteur | | Editeur : | Londre [Royaume-Uni] : Academic Group | | Année de publication : | 1995 | | Importance : | 96 p. | | Présentation : | ill. N&B | | Format : | 22 x 28 cm | | ISBN/ISSN/EAN : | 978-1-85490-417-1 | | Prix : | Don de artconnexion | | Note générale : | The Journal of Philosophy and the Visual Arts has set new standards in its exploration of themes central to philosophy's relation to the visual arts, illuminating areas of art criticism, architecture, feminism as well as philosophy itself. Rather than simply reflecting current trends it provides a forum in which the real developments in the analysis of the visual arts and its larger cultural and political context can be presented. Articles by well known philosophers and theorists, as well as some lesser known, together with writings by artists and architects allow a strong interdisciplinary approach reflecting the Journal's roots in post-structural theory.
Previous issues include: Philosophy & the Visual Arts (No 1) Philosophy & Architecture (No 2) Architecture, Space, Painting (No 3) The Body (No 4) Abstraction (No 5).
| | Langues : | Anglais (eng) | | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Index. décimale : | 190 Philosophie occidentale moderne | | Résumé : | 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, will be inextricably connected to the ontology of the object. What this means is that complexity, in resisting the hold of a semantic idealism on the one hand, and the attempt to give to it the position of being the basis of a new foundationalism on the other, becomes a way of thinking both the presence and the production of objects.'
— Andrew Benjamin
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Journal of Philosophy and the Visual Arts (Jpva) – No. 6 : Complexity [texte imprimé] / Andrew BENJAMIN, Directeur de publication, rédacteur en chef ; GUATTARI, Félix, Auteur ; Jean-Jacques LECERCLE, Auteur ; Bernard CACHE, Auteur ; Kath Renark JONES, Auteur ; LYNN, Greg, Auteur ; Bracha LICHTENBERG ETTINGER, Auteur ; Christian GIRARD, Auteur ; Arakawa GINS, Auteur ; Madeline GINS, Auteur ; Mary Ann CAWS, Auteur . - Londre (Royaume-Uni) : Academic Group, 1995 . - 96 p. : ill. N&B ; 22 x 28 cm. ISBN : 978-1-85490-417-1 : Don de artconnexion The Journal of Philosophy and the Visual Arts has set new standards in its exploration of themes central to philosophy's relation to the visual arts, illuminating areas of art criticism, architecture, feminism as well as philosophy itself. Rather than simply reflecting current trends it provides a forum in which the real developments in the analysis of the visual arts and its larger cultural and political context can be presented. Articles by well known philosophers and theorists, as well as some lesser known, together with writings by artists and architects allow a strong interdisciplinary approach reflecting the Journal's roots in post-structural theory.
Previous issues include: Philosophy & the Visual Arts (No 1) Philosophy & Architecture (No 2) Architecture, Space, Painting (No 3) The Body (No 4) Abstraction (No 5).
Langues : Anglais ( eng) | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Index. décimale : | 190 Philosophie occidentale moderne | | Résumé : | 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, will be inextricably connected to the ontology of the object. What this means is that complexity, in resisting the hold of a semantic idealism on the one hand, and the attempt to give to it the position of being the basis of a new foundationalism on the other, becomes a way of thinking both the presence and the production of objects.'
— Andrew Benjamin
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Affiner la recherche Interroger des sources externesFrederick J.Kiesler. / KIESLER, Frédérick
