Titre :	FRIEZE N°193 MARCH 2018 CONTEMPORARY ART AND CULTURE : Tacita Dean - Simon STARLING & Giorgio GRIFFA - Arthur JAFA - Naeem MOHAIEMEN - Cui JIE
Type de document :	texte imprimé
Auteurs :	Collectif, Auteur
Editeur :	Londres : Frieze
Année de publication :	2018
Importance :	196p.
Présentation :	couv. coul., illus. coul. et noir&blanc
Format :	30 cm
ISBN/ISSN/EAN :	00000000004014
Langues :	Anglais (eng)
Catégories :	3. Culture:3.45 Arts:Style artistique:Art contemporain
Mots-clés :	Frieze  is  the  leading  magazine  for  contemporary  art  and  culture.  Set  up  in  1991,  published  8  times  a  year  with  offices  London,  New  York  Berlin,  frieze  includes  essays,  reviews  columns  by  today's  most  forward-thinking  writers,  artists  curators.
Index. décimale :	709.040 75 Beaux-Arts et Arts Décoratifs - Art Conceptuel.
Note de contenu :	The March issue sees Ben Eastham profile the career of British artistTacita Dean, who has three concurrent exhibitions – ‘Landscape’, ‘Portrait’ and ‘Still Life’ – opening in March 2018 as part of an unprecedented collaboration between three major London galleries: the National Portrait Gallery, the Royal Academy of Arts and the National Gallery. Also in this issue: Iraqi-American artist Michael Rakowitz talks to Kaelen Wilson-Goldie about his practice. Ying Zhou responds to the paintings of Beijing-based artist Cui Jie. Sarinah Masukor interviews British artist Naeem Mohaiemen. Erik Morse reflects on how the theme of sleep has permeated works by a broad range of contemporary artists – from Joseph Cornell’s experimental collage film Rose Hobart (1936) through Andy Warhol’s 1963 film Sleep and Tsai Ming-liang’s Goodbye Dragon Inn (2003) to Cornelia Parker’s The Maybe (2013) and Véréna Paravel and Lucien Castaing-Taylor’s somniloquies (2017). Answering our March issue questionnaire is Japanese artist Chiharu Shiota. In the front section: following the opening of Design Society, in collaboration with London’s Victoria and Albert Museum, and the bi-city biennale of urbanism and architecture in Shenzhen, Bea Leanza considers how the Pearl River Delta is repositioning itself as a design hub; Audrea Lim reports on gentrification-driven Chinese-American activism in New York and the construction of Chinatowns globally; while Jessica Loudis considers four recently released documentary films – Erase and Forget, Le Fort des fous, Spell Reel andTonsler Park – exploring unstable national identities.

FRIEZE N°193 MARCH 2018 CONTEMPORARY ART AND CULTURE : Tacita Dean - Simon STARLING & Giorgio GRIFFA - Arthur JAFA - Naeem MOHAIEMEN - Cui JIE [texte imprimé] / Collectif, Auteur . - Londres : Frieze, 2018 . - 196p. : couv. coul., illus. coul. et noir&blanc ; 30 cm.
ISSN : 00000000004014
Langues : Anglais (eng)

Catégories :	3. Culture:3.45 Arts:Style artistique:Art contemporain
Mots-clés :	Frieze  is  the  leading  magazine  for  contemporary  art  and  culture.  Set  up  in  1991,  published  8  times  a  year  with  offices  London,  New  York  Berlin,  frieze  includes  essays,  reviews  columns  by  today's  most  forward-thinking  writers,  artists  curators.
Index. décimale :	709.040 75 Beaux-Arts et Arts Décoratifs - Art Conceptuel.
Note de contenu :	The March issue sees Ben Eastham profile the career of British artistTacita Dean, who has three concurrent exhibitions – ‘Landscape’, ‘Portrait’ and ‘Still Life’ – opening in March 2018 as part of an unprecedented collaboration between three major London galleries: the National Portrait Gallery, the Royal Academy of Arts and the National Gallery. Also in this issue: Iraqi-American artist Michael Rakowitz talks to Kaelen Wilson-Goldie about his practice. Ying Zhou responds to the paintings of Beijing-based artist Cui Jie. Sarinah Masukor interviews British artist Naeem Mohaiemen. Erik Morse reflects on how the theme of sleep has permeated works by a broad range of contemporary artists – from Joseph Cornell’s experimental collage film Rose Hobart (1936) through Andy Warhol’s 1963 film Sleep and Tsai Ming-liang’s Goodbye Dragon Inn (2003) to Cornelia Parker’s The Maybe (2013) and Véréna Paravel and Lucien Castaing-Taylor’s somniloquies (2017). Answering our March issue questionnaire is Japanese artist Chiharu Shiota. In the front section: following the opening of Design Society, in collaboration with London’s Victoria and Albert Museum, and the bi-city biennale of urbanism and architecture in Shenzhen, Bea Leanza considers how the Pearl River Delta is repositioning itself as a design hub; Audrea Lim reports on gentrification-driven Chinese-American activism in New York and the construction of Chinatowns globally; while Jessica Loudis considers four recently released documentary films – Erase and Forget, Le Fort des fous, Spell Reel andTonsler Park – exploring unstable national identities.