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Auteur Lars HARMSEN
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Affiner la recherche Interroger des sources externesSlanted #44 — Type Fashion / Mode typographique / Lars HARMSEN ; Greta LANDMANN
Titre : Slanted #44 — Type Fashion / Mode typographique Type de document : texte imprimé Auteurs : Lars HARMSEN, Directeur de publication, rédacteur en chef ; Greta LANDMANN, Directeur de publication, rédacteur en chef Editeur : Karlsruhe [Allemagne] : Slanted Publishers Année de publication : 2024 Importance : 224 p. Présentation : ill. N&B et coul. Format : 16 x 24 cm ISBN/ISSN/EAN : 7193 Prix : 22,00 € Note générale : Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier.
Langues : Anglais (eng) Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : graphisme typographie mode message textile industrie écharpe vêtement contre-culture Peter Saville Mirko Borsche Walter van Beordendonck Vivienne Westwood contraste site web WAR Résumé :
Slanted Magazine #44 — Type Fashion explore l’intersection entre la typographie et la mode. Le numéro explore les limites du design conventionnel, en adoptant la typographie de pointe comme toile dynamique pour l’expression de la mode. Il présente des œuvres d’art, des œuvres conceptuelles, un positionnement non conventionnel, des messages audacieux, des concepts étranges et des applications tout-terrain qui remettent en question le statu quo des industries de la mode.
Si Slanted était une marque de mode, notre mission serait claire : informer, provoquer et enflammer l’imagination, en défendant la liberté, la recherche et la créativité, là où la fantaisie devient réalité, les aspirations sont réalisées et la culture est en constante évolution.
En plus de présenter des œuvres exceptionnelles, ce numéro propose des essais éclairants de Christina Donoghue, Ann Marie Wainscott, Graphéine, Jelena Drobac, Ian Lynam, Jimmy Henderson, Kylièn Bergh et Karmen Samson. De plus, des entretiens avec Golnar Kat-Rahmani, Mirko Borsche, Jochen Smuda et Martin Fussenegger (Ucon Acrobatics), ainsi qu'avec Jean-Baptiste Levée, apportent de précieuses informations sur l'intersection entre la typographie et la mode. Le numéro se termine par une annexe détaillée, répertoriant tous les contributeurs participants.
Note de contenu :
CONTENTS:
ESSAYS: THOUGHTS IDEAS CONCEPTS ARTICLES MUSE — p.161
* Fashion's relationship with typography: arming us for the new age - p.162
* Victoria's other secret: her typeface - p.169
* Barbara Kruger / Supreme: Who's hijacking whom? - p.174
* Nowhere & everywhere: Unveiling fashion logos of SFR Yugoslavia - p.178
* The blog or a tale of two cities - p.185
* Don't call it a comeback: The rise, fall, and re-emergence of champion - p.190
* Hijacking the supporter's scarf - p.193
INTERVIEWS: CURIOSITY QUESTIONS ANSWERS INSPIRATION DOUBTS - p.201
* Golnar Kat-Rahmani: Graphic design, politics, & fashion - p.202
* Mirko Borsche: Everyone's doing soccer jerseys now - p.207
* Ucon Acrobatics (Jochen Smuda & Martin Fussenegger): Minimalism contributes to sustainability - p.210
* Jean-Baptiste Levée: As experts, our advice matters - p.214
//
SOMMAIRE :
ESSAIS : PENSÉES IDÉES CONCEPTS ARTICLES MUSE - p.161
* La relation de la mode avec la typographie : nous armer pour le nouvel âge - p.162
* L'autre secret de Victoria : sa typographie - p.169
* Barbara Kruger / Supreme : qui détourne qui ? - p.174
* Nulle part et partout : Dévoiler les logos de mode de la SFR Yougoslavie - p.178
* Le blog ou l'histoire de deux villes - p.185
* Ne l'appelez pas « comeback » : L'ascension, la chute et la réémergence d'un champion - p.190
* Le détournement de l'écharpe du supporter - p.193
INTERVIEWS : QUESTIONS DE CURIOSITÉ RÉPONSES DOUTES D'INSPIRATION - p.201
* Golnar Kat-Rahmani : Graphisme, politique et mode - p.202
* Mirko Borsche : Tout le monde fait des maillots de foot maintenant - p.207
* Ucon Acrobatics (Jochen Smuda & Martin Fussenegger) : Le minimalisme contribue à la durabilité - p.210
* Jean-Baptiste Levée : En tant qu'experts, nos conseils comptent - p.214
En ligne : https://www.slanted.de/slanted-magazine-44-type-fashion/ Slanted #44 — Type Fashion / Mode typographique [texte imprimé] / Lars HARMSEN, Directeur de publication, rédacteur en chef ; Greta LANDMANN, Directeur de publication, rédacteur en chef . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, 2024 . - 224 p. : ill. N&B et coul. ; 16 x 24 cm.
ISSN : 7193 : 22,00 €
Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier.
Langues : Anglais (eng)
Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : graphisme typographie mode message textile industrie écharpe vêtement contre-culture Peter Saville Mirko Borsche Walter van Beordendonck Vivienne Westwood contraste site web WAR Résumé :
Slanted Magazine #44 — Type Fashion explore l’intersection entre la typographie et la mode. Le numéro explore les limites du design conventionnel, en adoptant la typographie de pointe comme toile dynamique pour l’expression de la mode. Il présente des œuvres d’art, des œuvres conceptuelles, un positionnement non conventionnel, des messages audacieux, des concepts étranges et des applications tout-terrain qui remettent en question le statu quo des industries de la mode.
Si Slanted était une marque de mode, notre mission serait claire : informer, provoquer et enflammer l’imagination, en défendant la liberté, la recherche et la créativité, là où la fantaisie devient réalité, les aspirations sont réalisées et la culture est en constante évolution.
En plus de présenter des œuvres exceptionnelles, ce numéro propose des essais éclairants de Christina Donoghue, Ann Marie Wainscott, Graphéine, Jelena Drobac, Ian Lynam, Jimmy Henderson, Kylièn Bergh et Karmen Samson. De plus, des entretiens avec Golnar Kat-Rahmani, Mirko Borsche, Jochen Smuda et Martin Fussenegger (Ucon Acrobatics), ainsi qu'avec Jean-Baptiste Levée, apportent de précieuses informations sur l'intersection entre la typographie et la mode. Le numéro se termine par une annexe détaillée, répertoriant tous les contributeurs participants.
Note de contenu :
CONTENTS:
ESSAYS: THOUGHTS IDEAS CONCEPTS ARTICLES MUSE — p.161
* Fashion's relationship with typography: arming us for the new age - p.162
* Victoria's other secret: her typeface - p.169
* Barbara Kruger / Supreme: Who's hijacking whom? - p.174
* Nowhere & everywhere: Unveiling fashion logos of SFR Yugoslavia - p.178
* The blog or a tale of two cities - p.185
* Don't call it a comeback: The rise, fall, and re-emergence of champion - p.190
* Hijacking the supporter's scarf - p.193
INTERVIEWS: CURIOSITY QUESTIONS ANSWERS INSPIRATION DOUBTS - p.201
* Golnar Kat-Rahmani: Graphic design, politics, & fashion - p.202
* Mirko Borsche: Everyone's doing soccer jerseys now - p.207
* Ucon Acrobatics (Jochen Smuda & Martin Fussenegger): Minimalism contributes to sustainability - p.210
* Jean-Baptiste Levée: As experts, our advice matters - p.214
//
SOMMAIRE :
ESSAIS : PENSÉES IDÉES CONCEPTS ARTICLES MUSE - p.161
* La relation de la mode avec la typographie : nous armer pour le nouvel âge - p.162
* L'autre secret de Victoria : sa typographie - p.169
* Barbara Kruger / Supreme : qui détourne qui ? - p.174
* Nulle part et partout : Dévoiler les logos de mode de la SFR Yougoslavie - p.178
* Le blog ou l'histoire de deux villes - p.185
* Ne l'appelez pas « comeback » : L'ascension, la chute et la réémergence d'un champion - p.190
* Le détournement de l'écharpe du supporter - p.193
INTERVIEWS : QUESTIONS DE CURIOSITÉ RÉPONSES DOUTES D'INSPIRATION - p.201
* Golnar Kat-Rahmani : Graphisme, politique et mode - p.202
* Mirko Borsche : Tout le monde fait des maillots de foot maintenant - p.207
* Ucon Acrobatics (Jochen Smuda & Martin Fussenegger) : Le minimalisme contribue à la durabilité - p.210
* Jean-Baptiste Levée : En tant qu'experts, nos conseils comptent - p.214
En ligne : https://www.slanted.de/slanted-magazine-44-type-fashion/ Exemplaires
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Titre : Slanted #45 — Sex Type de document : texte imprimé Auteurs : Lars HARMSEN, Directeur de publication, rédacteur en chef ; Samira NIEDERMAYER, Directeur de publication, rédacteur en chef ; Juliane LIPP, Maquettiste ; Julia KAHL, Maquettiste Editeur : Karlsruhe [Allemagne] : Slanted Publishers Année de publication : 2025 Importance : 224 p. Présentation : ill. N&B et coul. Format : 16 x 24 cm ISBN/ISSN/EAN : 978-3-948440-83-1 Prix : 22,00 € Note générale : Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier.
Langues : Anglais (eng) Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : graphisme photographie sexualité fanzine brochure privé collection images corps marginalisé convention critique société affiche dessin illustration nudité punk magazine pornographie archive intime Résumé : Slanted Magazine n° 45 — Sexe propose un voyage stimulant autour des thèmes du genre, de l'image corporelle et de la sexualité. Créé en partenariat avec les Archives Artist Publications (AAP) de Munich, sous la direction de l'artiste et archiviste Hubert Kretschmer, ce numéro puise dans l'une des plus vastes collections privées de publications d'artistes au monde, qui rassemble plus de 89 988 fanzines, brochures, affiches et autres imprimés rares collectés depuis les années 1980.
D'un point de vue contemporain et historique, ce numéro présente des fanzines, des brochures, des affiches et des publications qui abordent les questions de politique corporelle, d'image de soi et d'identité. Alors que les récits visuels façonnent les normes, les corps marginalisés – non binaires, queer, handicapés, racialisés – sont souvent sous-représentés ou représentés de manière symbolique. Slanted Magazine n° 45 — Sexe invite les lecteurs à remettre en question ces conventions et encourage un regard critique sur le rôle des médias dans la représentation des corps.
À travers des visuels provocateurs et des histoires diverses, Slanted Magazine #45—Sex ouvre la porte à un dialogue plus profond et multiforme sur les corps et l’appartenance.En ligne : https://www.slanted.de/product/slanted-magazine-45-sex/ Slanted #45 — Sex [texte imprimé] / Lars HARMSEN, Directeur de publication, rédacteur en chef ; Samira NIEDERMAYER, Directeur de publication, rédacteur en chef ; Juliane LIPP, Maquettiste ; Julia KAHL, Maquettiste . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, 2025 . - 224 p. : ill. N&B et coul. ; 16 x 24 cm.
ISBN : 978-3-948440-83-1 : 22,00 €
Slanted est un blog et un magazine imprimé sur le design et la typographie. Publié par Slanted Publishers.
Slanted Publishers est une maison d'édition et de médias internationale fondée en 2014 par Lars Harmsen et Julia Kahl. Ils publient deux fois par an le magazine primé Slanted, qui couvre les développements internationaux en matière de design et de culture. Depuis sa création en 2004, le blog quotidien Slanted met en lumière les événements et les nouvelles de la scène internationale du design et présente des portfolios inspirants du monde entier. Au fil des ans, plus de 200 interviews vidéo de designers et d'entrepreneurs ont été réalisées, constituant des archives qui témoignent de notre époque. Outre le blog et le magazine Slanted, Slanted Publishers initie et crée des projets tels que le Yearbook of Type, les calendriers détachables Typodarium et Photodarium, la fonderie de caractères indépendante VolcanoType et d'autres projets et publications liés au design. Slanted est née d'une grande passion et s'est fait un nom dans le monde entier.
Langues : Anglais (eng)
Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : graphisme photographie sexualité fanzine brochure privé collection images corps marginalisé convention critique société affiche dessin illustration nudité punk magazine pornographie archive intime Résumé : Slanted Magazine n° 45 — Sexe propose un voyage stimulant autour des thèmes du genre, de l'image corporelle et de la sexualité. Créé en partenariat avec les Archives Artist Publications (AAP) de Munich, sous la direction de l'artiste et archiviste Hubert Kretschmer, ce numéro puise dans l'une des plus vastes collections privées de publications d'artistes au monde, qui rassemble plus de 89 988 fanzines, brochures, affiches et autres imprimés rares collectés depuis les années 1980.
D'un point de vue contemporain et historique, ce numéro présente des fanzines, des brochures, des affiches et des publications qui abordent les questions de politique corporelle, d'image de soi et d'identité. Alors que les récits visuels façonnent les normes, les corps marginalisés – non binaires, queer, handicapés, racialisés – sont souvent sous-représentés ou représentés de manière symbolique. Slanted Magazine n° 45 — Sexe invite les lecteurs à remettre en question ces conventions et encourage un regard critique sur le rôle des médias dans la représentation des corps.
À travers des visuels provocateurs et des histoires diverses, Slanted Magazine #45—Sex ouvre la porte à un dialogue plus profond et multiforme sur les corps et l’appartenance.En ligne : https://www.slanted.de/product/slanted-magazine-45-sex/ Exemplaires
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Titre : Slanted Magazine #39 — Stockholm Type de document : texte imprimé Auteurs : Lars HARMSEN, Directeur de publication, rédacteur en chef ; Julia KAHL, Directeur de publication, rédacteur en chef Editeur : Karlsruhe [Allemagne] : Slanted Publishers Importance : 240 p. Présentation : ill. N&B et coul. Format : 16 x 24 cm ISBN/ISSN/EAN : 4191960818005 Prix : 18,00 € Note générale : Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.Langues : Anglais (eng) Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : Slanted, design, typographie, magazine, culture, reportages, photographie, Stockholm, Suède, Scandinavie, interview, rencontre, artistes, artisan, créateur Index. décimale : 745.40948 Design et Décoration (Généralité) -Scandinavie Résumé : If you just think of IKEA, Greta, Abba, Sylvia, and Björn Borg or red wooden horses when you think of Sweden, you're far off. In the summer of 2021, the Slanted team travelled to Stockholm to take a close look at the contemporary design scene.
Slanted meets internationally renowned legends, including Stockholm graphic designer Björn Kusoffsky of Stockholm Design Lab, David Eriksson, founder of teenage engineering, Magnus Gustafsson, founder of Paul & friends, and award winning architect Andreas Martin-Löf and graphic designer Maja Kölqvist. In its 39th issue, Slanted gathers a selection of Stockholm’s most brilliant minds and provides deep insights into their work and values in numerous video interviews, which will be available online for free. Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Swedish writings complete the issue thematically.En ligne : https://www.slanted.de/slanted-magazine-39-stockholm/ Slanted Magazine #39 — Stockholm [texte imprimé] / Lars HARMSEN, Directeur de publication, rédacteur en chef ; Julia KAHL, Directeur de publication, rédacteur en chef . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, [s.d.] . - 240 p. : ill. N&B et coul. ; 16 x 24 cm.
ISSN : 4191960818005 : 18,00 €
Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
Langues : Anglais (eng)
Catégories : 5. Information et communication:5.5 Design graphique Mots-clés : Slanted, design, typographie, magazine, culture, reportages, photographie, Stockholm, Suède, Scandinavie, interview, rencontre, artistes, artisan, créateur Index. décimale : 745.40948 Design et Décoration (Généralité) -Scandinavie Résumé : If you just think of IKEA, Greta, Abba, Sylvia, and Björn Borg or red wooden horses when you think of Sweden, you're far off. In the summer of 2021, the Slanted team travelled to Stockholm to take a close look at the contemporary design scene.
Slanted meets internationally renowned legends, including Stockholm graphic designer Björn Kusoffsky of Stockholm Design Lab, David Eriksson, founder of teenage engineering, Magnus Gustafsson, founder of Paul & friends, and award winning architect Andreas Martin-Löf and graphic designer Maja Kölqvist. In its 39th issue, Slanted gathers a selection of Stockholm’s most brilliant minds and provides deep insights into their work and values in numerous video interviews, which will be available online for free. Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Swedish writings complete the issue thematically.En ligne : https://www.slanted.de/slanted-magazine-39-stockholm/ Exemplaires
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Titre : Slanted Magazine #41 — Amsterdam Type de document : texte imprimé Auteurs : Lars HARMSEN, Auteur ; Julia KAHL, Auteur Editeur : Karlsruhe [Allemagne] : Slanted Publishers Année de publication : 2023 Importance : 228 p. Présentation : ill. N&B et coul. Format : 16 x 24 cm ISBN/ISSN/EAN : 978-3-948440-47-3 Prix : 18,00 € Note générale : Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.Langues : Anglais (eng) Catégories : Graphisme, illustration, art publicitaire Mots-clés : Slanted, design, typographie, magazine, culture, reportages, photographie, Amsterdam, Pays-Bas, Scandinavie, interview, rencontre, artistes, artisan, créateur Résumé : The Slanted team went to Amsterdam to check out the design scene and fell for the charm of the city’s century-old “bruine kroegen” (brown cafes). Seeking refuge after bike rides to design studios, they were quickly won over by the cozy ambiance, dark wood, old-fashioned decor, and the aroma of fried croquettes.
Color and form play an important role in Amsterdam’s design, which is egalitarian and serves the masses. Design is ubiquitous in Amsterdam, from the bike path to the police cars and even the city crest. The maze of canals and the upcoming neighborhoods are characterized by muted tones, dominated by black cobblestones, and dark brick. Behind the facades it rattles. The Dutch have always let it rip. The orange is more intense, the red more luminous, the black more brutal. Design is radical, it crashes, it vibrates.
There are few places where color and form play such an important role. Design is innovative, modern, functional, and spiced with a pinch of humor. Design is about egalitarianism, not reserved for the wealthy elite. Design serves the masses. And so it happens that everything is professionally designed. The bike path, the kebab stand, the tax return form, the police cars, the park benches and trash cans, the vegetables.
In its 41st issue, Slanted gathers a selection of Amsterdam’s most brilliant minds and provides deep insights into their work and values in the magazine and in the numerous video interviews (https://www.slanted.de/video/amsterdam/). Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Dutch writings complete the issue thematically.
Featured contributors: 75B, Athenaeum Boekhandel & Nieuwscentrum, Maarten Baptist, Blast Foundry, BNO, Irma Boom, Brût Homeware, Building Fictions, Mélanie Corre, Vanessa van Dam, DBXL, De Designpolitie, De Vorm, Javier Rodríguez Fernández, FreelingWaters, fw:books, Graypants, Hansje van Halem, Haller Brun, Olivier Heiligers, Juna Horstmans, Jeremy Jansen, Elisa van Joolen, Annabel Keijzer, KesselsKramer, Elisabeth Klement, Kooij, Lesley Moore, MacGuffin, MainStudio, martens and martens, Mass-Driver, Moniker, Michelangelo Nigra, nouch, Novo Typo, NXS WORLD, Moriz Oberberger, Our Polite Society, Revised, Charlotte Rohde, Rush Hour Music, Vera van de Seyp, Studio Jord Noorbeek, studioHendriksen, Sunne, Jolana Sýkorová, Terry Bleu, The Rodina, thonik, Kai Udema, Underwear, untold-stories, VANTOT, Jasper de Waard, Edgar Walthert, Julian Williams.
Beside the issue two very limited special editions have been published: A black long sleeve (https://www.slanted.de/slanted-x-everpress-vandeseyp) designed by graphic designer and creative coder Vera van de Seyp (https://veravandeseyp.com/) and silkscreen printed with fluorescent green by Everpress (https://everpress.com/) in an edition of 100 pieces only + a bundle with a DTF transfer print (https://www.slanted.de/product/limited-special-edition-amsterdam-dtf-transfer/) produced by express-transfer.de (https://express-transfer.de/) with which you can get creative.Note de contenu :
CONTENTS:
Design in Amsterdam - p.1
10 X 10 (Interviews) - p. 161
Keep Mokulm Weird: Squatting as Creative Resistance - p. 179
Ruben Pater
Amsterdam Tapestry - p. 186
75B
How Amsterdam Taught Me To Design Fearlessly - p. 194
Julian Williams
APPENDIX - p. 197
- Hot Spots
- Publications from NL
- Playlist from NL
- Contemporary typeface from NL
- Index
- Useful Dutch phrases
- ImprintEn ligne : https://www.slanted.de/product/slanted-magazine-41-amsterdam/ Slanted Magazine #41 — Amsterdam [texte imprimé] / Lars HARMSEN, Auteur ; Julia KAHL, Auteur . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, 2023 . - 228 p. : ill. N&B et coul. ; 16 x 24 cm.
ISBN : 978-3-948440-47-3 : 18,00 €
Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
Langues : Anglais (eng)
Catégories : Graphisme, illustration, art publicitaire Mots-clés : Slanted, design, typographie, magazine, culture, reportages, photographie, Amsterdam, Pays-Bas, Scandinavie, interview, rencontre, artistes, artisan, créateur Résumé : The Slanted team went to Amsterdam to check out the design scene and fell for the charm of the city’s century-old “bruine kroegen” (brown cafes). Seeking refuge after bike rides to design studios, they were quickly won over by the cozy ambiance, dark wood, old-fashioned decor, and the aroma of fried croquettes.
Color and form play an important role in Amsterdam’s design, which is egalitarian and serves the masses. Design is ubiquitous in Amsterdam, from the bike path to the police cars and even the city crest. The maze of canals and the upcoming neighborhoods are characterized by muted tones, dominated by black cobblestones, and dark brick. Behind the facades it rattles. The Dutch have always let it rip. The orange is more intense, the red more luminous, the black more brutal. Design is radical, it crashes, it vibrates.
There are few places where color and form play such an important role. Design is innovative, modern, functional, and spiced with a pinch of humor. Design is about egalitarianism, not reserved for the wealthy elite. Design serves the masses. And so it happens that everything is professionally designed. The bike path, the kebab stand, the tax return form, the police cars, the park benches and trash cans, the vegetables.
In its 41st issue, Slanted gathers a selection of Amsterdam’s most brilliant minds and provides deep insights into their work and values in the magazine and in the numerous video interviews (https://www.slanted.de/video/amsterdam/). Illustrations, interviews, essays, and an extensive appendix with many useful tips and an overview with the best Dutch writings complete the issue thematically.
Featured contributors: 75B, Athenaeum Boekhandel & Nieuwscentrum, Maarten Baptist, Blast Foundry, BNO, Irma Boom, Brût Homeware, Building Fictions, Mélanie Corre, Vanessa van Dam, DBXL, De Designpolitie, De Vorm, Javier Rodríguez Fernández, FreelingWaters, fw:books, Graypants, Hansje van Halem, Haller Brun, Olivier Heiligers, Juna Horstmans, Jeremy Jansen, Elisa van Joolen, Annabel Keijzer, KesselsKramer, Elisabeth Klement, Kooij, Lesley Moore, MacGuffin, MainStudio, martens and martens, Mass-Driver, Moniker, Michelangelo Nigra, nouch, Novo Typo, NXS WORLD, Moriz Oberberger, Our Polite Society, Revised, Charlotte Rohde, Rush Hour Music, Vera van de Seyp, Studio Jord Noorbeek, studioHendriksen, Sunne, Jolana Sýkorová, Terry Bleu, The Rodina, thonik, Kai Udema, Underwear, untold-stories, VANTOT, Jasper de Waard, Edgar Walthert, Julian Williams.
Beside the issue two very limited special editions have been published: A black long sleeve (https://www.slanted.de/slanted-x-everpress-vandeseyp) designed by graphic designer and creative coder Vera van de Seyp (https://veravandeseyp.com/) and silkscreen printed with fluorescent green by Everpress (https://everpress.com/) in an edition of 100 pieces only + a bundle with a DTF transfer print (https://www.slanted.de/product/limited-special-edition-amsterdam-dtf-transfer/) produced by express-transfer.de (https://express-transfer.de/) with which you can get creative.Note de contenu :
CONTENTS:
Design in Amsterdam - p.1
10 X 10 (Interviews) - p. 161
Keep Mokulm Weird: Squatting as Creative Resistance - p. 179
Ruben Pater
Amsterdam Tapestry - p. 186
75B
How Amsterdam Taught Me To Design Fearlessly - p. 194
Julian Williams
APPENDIX - p. 197
- Hot Spots
- Publications from NL
- Playlist from NL
- Contemporary typeface from NL
- Index
- Useful Dutch phrases
- ImprintEn ligne : https://www.slanted.de/product/slanted-magazine-41-amsterdam/ Exemplaires
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Titre : Slanted Magazine #42 — Books : Autumn/Winter 23/24 Type de document : texte imprimé Auteurs : Lars HARMSEN, Directeur de publication, rédacteur en chef ; Ian LYNAM, Auteur ; Demian CONRAD, Auteur ; Matt LAMONT, Auteur ; Birgit SCHMITZ, Auteur ; PATA-NO UN Ltd, Auteur ; Dermot MAC CORMACK, Auteur Editeur : Karlsruhe [Allemagne] : Slanted Publishers Année de publication : 2023 Importance : 256 p. Présentation : ill. N&B et coul. Format : 26 x 24 cm ISBN/ISSN/EAN : 978-3-948440-55-8 Prix : 22,00 € Note générale : Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
Langues : Anglais (eng) Catégories : Graphisme, illustration, art publicitaire Mots-clés : revue, Slanted, design graphique, design, graphisme, mise en page, couverture, livre, ouvrage, composition, typographie, police, lettrine, habillage, illustration, méthode, gabarit, choix, papier, format, esthétique, intelligence artificielle, outils d'édition, logiciels, création édition, PAO, impression, pratique Résumé : Slanted Magazine #42—Books is a magazine about books. Every day, people ponder whether the future of the (printed) book is tied to its sensual quality. How can beautiful books secure their place in the media and society? How are content, medium, and form interconnected? Is manufacturing and design quality, in addition to its functionality, simply to be understood as a marketing argument?
In this edition, Slanted Publishers delves deeper into books that are pushing boundaries, moving beyond traditional norms, and rediscovering their essence. The belief is that genuine reading encompasses more than mere skimming; it involves understanding, grasping, and engaging in creative thinking. The value placed on the tactile experience of holding a book, flipping through its pages, setting it aside, and seamlessly resuming the reading is immense. It’s an experience cherished by many, one that defines the true essence of books.
Slanted Publishers emphasizes the resurgence of book reading as a significant trend, especially for those seeking enduring experiences and embracing multi-dimensional thinking. This edition showcases books that venture off the beaten path, departing from traditional conventions, and advocates for timeless book designs where the content shapes the form.
To commemorate the magazine’s release, Slanted Publishers has introduced a limited special edition, which includes a set of pencils from Viarco, the oldest pencil factory in Portugal. Make a statement with this and become part of the BK LVRS!Note de contenu :
CONTENTS:
CHAPTER 01 — MAXIMIZE THE POSSIBILITIES
René Magritte's 1929 painting, 'The Treachery of Images' (La Trahison des Images) or 'This Is Not a Pipe', captures the essence of his surrealist exploration. His work delves into the interplay between objects, theirs labels, and depictions.
This prompts us toi ponder: When does a book shed its conventional appearance while retaining its essence? What defines the shift from ordinary object to book-like form? Ultimately, content bestows the identity of a book upon a cluster of pages. in this dance, books transform into objects, while objects metamorphose into books.
CHAPTER 02 - FUNCTIONAL USE OF READING
If we think it concerns us, we read everything. So why bother about the right typeface and typography? Typography provides a characteristic picture of a period, giving each book its own identity, marked by the design of its cover, the lay-out of its pages, and the choice of font. The functional use of reading transcends its fundamental role as e means of decoding words on a page. It morphs into a cognitive instrument, aiding learning, communication, and self-development. By opening pathways to information, knowledge, and varied perspectives, reading fuels critical thought, and expanding our horzons.
CHAPTER 03 - ORDINARY DISRUPTION
Can we, as designers, generate change in this age of disruption? Well, it the systems need to change, disruption allows you to reevaluate. Disruptive design can be an innovative source to create a significant impact. Means designing book can be creating something that adds to or iterates on the existing, creating a disturbance with the intent of changing a system. When combined, the practice of disruptive design is to create intentional interventions into a pre-existing system with the specific objective to leverage a different outcome, and more importantly, an outcome that is likely to create positive social change.
CHAPTER 04 - WISPY AND FRAGILE
A volcano is hard on the outside, tender on the inside. Earthquakes or landslides can make it erupt because they open the way for magma to rise. Infiltrating groundwater can literally provoke the volcano to explode. Similarly, it can burst when fresh, gas-rich magma flows into an existing magma chamber. Sometimes, the tiniest disturbance is enough to make it overflow. Books can be like volcanoes. A book can appear very sturdy on the outside and then reveal itself to be enigmatice, delicate, lightweight, and fragile on the inside. Or even downright explosive. And this applies not only to its form but, of course, also to its content!
CHAPTER 05 - VISUALLY TACTILE TEXTURE
in the schism between printed volumes and digital devices, a pivotal contrast arises: touch. The texture of a book holds a unique power to engage out senses in a way that digital counterparts cannot replicate. The charm of a book surpasses its text, unfurling as a hands-on journey from cover to contents. The sensation under out fingertips wields unparalleled potency, an interaction evading digital mimicry. The tactile domain, wherein the urge to grasp, sense, and unveil propels the sensory fascination of books. From engraving to textiles, hues to stitching, delve into the methods vers provoke curiosity, exposing how materiality heightens the reading encounter.
CHAPTER 06 - WORDLESS TANGIBLE
On December 8, 1921, an ad by Fred R. Bernard in Printers' Ink popularized the phrase "One Look Is Worth a Thousand Words", advocating for images use in tramway advertising prints. The absence of words opens up a world of interpretation, allowing readers of all ages and backgrounds to craft their own stories. Moods can be transmitted and reproduced wordlessly. Sometimes words are only accompanying material to image worlds that created, or explanations to photographs.
CHAPTER 07 - PURELY TYPOGRAPHY
Typography in books is essential for both readability and conveying emotions. It's a creative interplay between text and visuals that enriches the reading experience. Font selection impacts feelings, genre, and layout, influencing how readers interact with content. Fonts can serve functionally certain books. Numerous designers and typographers have pondered readability and spoken splendidly about it. One fundamental statement that particularly sticks in our memory is the one by Ed Benguiat: "The only place Avant Garde looks good is in the words Avant Garde!" So please question: is typography in books essential for both readability and conveying emotions?
CHAPTER 08 - WHATEVER HAPPENS WITH AI
One of the examples of AI-assisted literature is "The Newt Rembrandt", a project that used AI to create a new painting in the style of the reknowned Dutch artist. This fusion of art and AI creative collaborations between humans and machines. This same principale has been extented to the realm of literature, leading to the creation of entire books auhtored or co-authored by AI. How far can a designer leave the design or content of a book to an AI? That will be exciting to find out...
ESSAYS
* Ian Lynam, Crossed Wires (Theme-Faith)
* Demian Conrad, Graphic Design in the Post-Digital Age
* Matt Lamoint, Collecting, Curating, Creating
* Birgit Schmitz, Surrounded by screens. Why do we still read actual books
* Pata-No Un Ltd, No Books
* Dermot Mac Cormack, The Years Sisters and Cuala Press
* Lars Harmsen, Steal This Book.. Or maybe notEn ligne : https://www.slanted.de/product/slanted-magazine-42-books/ Slanted Magazine #42 — Books : Autumn/Winter 23/24 [texte imprimé] / Lars HARMSEN, Directeur de publication, rédacteur en chef ; Ian LYNAM, Auteur ; Demian CONRAD, Auteur ; Matt LAMONT, Auteur ; Birgit SCHMITZ, Auteur ; PATA-NO UN Ltd, Auteur ; Dermot MAC CORMACK, Auteur . - Karlsruhe (Nördliche Uferstraße 4–6, 76189, Allemagne) : Slanted Publishers, 2023 . - 256 p. : ill. N&B et coul. ; 26 x 24 cm.
ISBN : 978-3-948440-55-8 : 22,00 €
Slanted is a weblog and a print magazine about design and typography. Published by Slanted Publishers.
Slanted Publishers is an internationally active publishing and media house founded in 2014 by Lars Harmsen and Julia Kahl. They publish the award-winning print magazine Slanted, covering international developments in design and culture twice a year. Since its establishment in 2004, the daily Slanted blog highlights events and news from an international design scene and showcases inspiring portfolios from all over the world. Over the years, more than 200 video interviews with designers and entrepreneurs have been made, forming an archive that bears witness to our time. In addition to the Slanted blog and magazine, Slanted Publishers initiates and creates projects such as the Yearbook of Type, tear-off calendars Typodarium and Photodarium, independent type foundry VolcanoType and other design-related projects and publications. Slanted was born from great passion and has made a name for itself across the globe.
Langues : Anglais (eng)
Catégories : Graphisme, illustration, art publicitaire Mots-clés : revue, Slanted, design graphique, design, graphisme, mise en page, couverture, livre, ouvrage, composition, typographie, police, lettrine, habillage, illustration, méthode, gabarit, choix, papier, format, esthétique, intelligence artificielle, outils d'édition, logiciels, création édition, PAO, impression, pratique Résumé : Slanted Magazine #42—Books is a magazine about books. Every day, people ponder whether the future of the (printed) book is tied to its sensual quality. How can beautiful books secure their place in the media and society? How are content, medium, and form interconnected? Is manufacturing and design quality, in addition to its functionality, simply to be understood as a marketing argument?
In this edition, Slanted Publishers delves deeper into books that are pushing boundaries, moving beyond traditional norms, and rediscovering their essence. The belief is that genuine reading encompasses more than mere skimming; it involves understanding, grasping, and engaging in creative thinking. The value placed on the tactile experience of holding a book, flipping through its pages, setting it aside, and seamlessly resuming the reading is immense. It’s an experience cherished by many, one that defines the true essence of books.
Slanted Publishers emphasizes the resurgence of book reading as a significant trend, especially for those seeking enduring experiences and embracing multi-dimensional thinking. This edition showcases books that venture off the beaten path, departing from traditional conventions, and advocates for timeless book designs where the content shapes the form.
To commemorate the magazine’s release, Slanted Publishers has introduced a limited special edition, which includes a set of pencils from Viarco, the oldest pencil factory in Portugal. Make a statement with this and become part of the BK LVRS!Note de contenu :
CONTENTS:
CHAPTER 01 — MAXIMIZE THE POSSIBILITIES
René Magritte's 1929 painting, 'The Treachery of Images' (La Trahison des Images) or 'This Is Not a Pipe', captures the essence of his surrealist exploration. His work delves into the interplay between objects, theirs labels, and depictions.
This prompts us toi ponder: When does a book shed its conventional appearance while retaining its essence? What defines the shift from ordinary object to book-like form? Ultimately, content bestows the identity of a book upon a cluster of pages. in this dance, books transform into objects, while objects metamorphose into books.
CHAPTER 02 - FUNCTIONAL USE OF READING
If we think it concerns us, we read everything. So why bother about the right typeface and typography? Typography provides a characteristic picture of a period, giving each book its own identity, marked by the design of its cover, the lay-out of its pages, and the choice of font. The functional use of reading transcends its fundamental role as e means of decoding words on a page. It morphs into a cognitive instrument, aiding learning, communication, and self-development. By opening pathways to information, knowledge, and varied perspectives, reading fuels critical thought, and expanding our horzons.
CHAPTER 03 - ORDINARY DISRUPTION
Can we, as designers, generate change in this age of disruption? Well, it the systems need to change, disruption allows you to reevaluate. Disruptive design can be an innovative source to create a significant impact. Means designing book can be creating something that adds to or iterates on the existing, creating a disturbance with the intent of changing a system. When combined, the practice of disruptive design is to create intentional interventions into a pre-existing system with the specific objective to leverage a different outcome, and more importantly, an outcome that is likely to create positive social change.
CHAPTER 04 - WISPY AND FRAGILE
A volcano is hard on the outside, tender on the inside. Earthquakes or landslides can make it erupt because they open the way for magma to rise. Infiltrating groundwater can literally provoke the volcano to explode. Similarly, it can burst when fresh, gas-rich magma flows into an existing magma chamber. Sometimes, the tiniest disturbance is enough to make it overflow. Books can be like volcanoes. A book can appear very sturdy on the outside and then reveal itself to be enigmatice, delicate, lightweight, and fragile on the inside. Or even downright explosive. And this applies not only to its form but, of course, also to its content!
CHAPTER 05 - VISUALLY TACTILE TEXTURE
in the schism between printed volumes and digital devices, a pivotal contrast arises: touch. The texture of a book holds a unique power to engage out senses in a way that digital counterparts cannot replicate. The charm of a book surpasses its text, unfurling as a hands-on journey from cover to contents. The sensation under out fingertips wields unparalleled potency, an interaction evading digital mimicry. The tactile domain, wherein the urge to grasp, sense, and unveil propels the sensory fascination of books. From engraving to textiles, hues to stitching, delve into the methods vers provoke curiosity, exposing how materiality heightens the reading encounter.
CHAPTER 06 - WORDLESS TANGIBLE
On December 8, 1921, an ad by Fred R. Bernard in Printers' Ink popularized the phrase "One Look Is Worth a Thousand Words", advocating for images use in tramway advertising prints. The absence of words opens up a world of interpretation, allowing readers of all ages and backgrounds to craft their own stories. Moods can be transmitted and reproduced wordlessly. Sometimes words are only accompanying material to image worlds that created, or explanations to photographs.
CHAPTER 07 - PURELY TYPOGRAPHY
Typography in books is essential for both readability and conveying emotions. It's a creative interplay between text and visuals that enriches the reading experience. Font selection impacts feelings, genre, and layout, influencing how readers interact with content. Fonts can serve functionally certain books. Numerous designers and typographers have pondered readability and spoken splendidly about it. One fundamental statement that particularly sticks in our memory is the one by Ed Benguiat: "The only place Avant Garde looks good is in the words Avant Garde!" So please question: is typography in books essential for both readability and conveying emotions?
CHAPTER 08 - WHATEVER HAPPENS WITH AI
One of the examples of AI-assisted literature is "The Newt Rembrandt", a project that used AI to create a new painting in the style of the reknowned Dutch artist. This fusion of art and AI creative collaborations between humans and machines. This same principale has been extented to the realm of literature, leading to the creation of entire books auhtored or co-authored by AI. How far can a designer leave the design or content of a book to an AI? That will be exciting to find out...
ESSAYS
* Ian Lynam, Crossed Wires (Theme-Faith)
* Demian Conrad, Graphic Design in the Post-Digital Age
* Matt Lamoint, Collecting, Curating, Creating
* Birgit Schmitz, Surrounded by screens. Why do we still read actual books
* Pata-No Un Ltd, No Books
* Dermot Mac Cormack, The Years Sisters and Cuala Press
* Lars Harmsen, Steal This Book.. Or maybe notEn ligne : https://www.slanted.de/product/slanted-magazine-42-books/ Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
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