| Titre : | Frieze #228 : June/July/August 2022 | | Type de document : | texte imprimé | | Auteurs : | Andrew DURBIN, Directeur de publication, rédacteur en chef ; Mariam ELNOZAHY, Auteur ; Dardan ZHEGROVA, Auteur ; Orit GAT, Auteur ; Stéphanie LACAVA, Auteur ; Sejla KAMERIC, Auteur ; Adela DEMETJA, Auteur ; Shiv KOTECHA, Auteur ; Grada KILOMBA, Auteur ; Trisha LOW, Auteur | | Editeur : | Londres : Frieze | | Année de publication : | 2022 | | Importance : | 172 p. | | Présentation : | ill. N&B et coul. | | Format : | 23 x 30 cm | | ISBN/ISSN/EAN : | 6797 | | Prix : | 12,00€ | | Note générale : | Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. | | Langues : | Anglais (eng) | | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Mots-clés : | Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes, Manifesta, Kosovo, Yougoslavie, Balkans, impérialisme, US, États-Unis, | | Résumé : | ‘I hope that this edition of Manifesta will provide opportunities for young regional artists and make them the focus of the international media spotlight.’ – Šejla Kamerić
In the summer issue of frieze, ahead of Manifesta in Kosovo, writer and curator Viktoria Draganova, curator Adela Demetja, professor Branislav Dimitrijević and artists Šejla Kamerić and Dardan Zhegrova consider what the exhibition might mean for art production and cross-border collaboration. Plus, Shiv Kotecha profiles artist Tony Cokes ahead of shows at Haus der Kunst and Kunstverein, Munich. | | Note de contenu : |
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
14 — One Take: Meriem Bennani
Stephanie LaCava responds to a single work by Meriem Bennani.
COLUMNS:
The Desert: The Map and the Territory
17 — On OPERA, MEGACITIES and GHOST TOWNS
Mariam Elnozahy examines the cultural offer and plans for Egypt’s new capital city.
20 — Robert Weather guards the legacy of WALTER DE MARIA
Kathleen Shields speaks to Robert Weathers, the groundskeeper tasked with maintaining Walter de Maria’s The Lightning Field (1977).
23 — A journey into forgotten DIGITAL DOMAINS
Orit Gat ventures into the treacherous world of online deserts.
27 — THIRST TRAPS: a new way to view contemporary Arab cinema
Róisín Tapponi considers the theme of thirst in Arab cinema.
FEATURES:
‘For Westerners, the word Balkans implied something very dangerous – a messy territory.’ – Branislav Dimitrijević. Thirty years after the break up of Yugoslavia and 22 years after Manifesta 3 in Ljubljana, the nomadic biennale is returning to the Balkans.
66 — Roundtable: THE WESTERN BALKANS
Ahead of Manifesta 14, artists and curators discuss the region.
78 — 1,500 Words: XANDRA IBARRA and the nuances of sensation
Trisha Low enters the world of performance artist Bob Flanagan via new work by Xandra Ibarra.
84 — Profile: TONY COKES
‘Police brutality, anti-Blackness, American war crimes: these are some of the violences that Cokes’s videos explicitly address.’ – Shiv Kotecha. Tony Cokes uses music and theory to challenge contemporary anti-Blackness and the legacies of US imperialism. Shiv Kotecha asks: Can you still dance to it?
92 — Interview: GRADA KILOMBA
Victoria Adukwei Bulley speaks to Grada Kilomba, the 2021-22 resident artist at BoCA, Lisbon.
100 — Essay: The global political influence of SURREALIST CINEMA
Ela Bittencourt investigates the influence of surrealism in global cinema against a backdrop of political instability, focusing on three films, Sedmikrásky (Daisies, 1966), Bang Bang (1971) and Touki Bouki (The Journey of the Hyena, 1973).
REVIEWS:
148 — LOUISE BOURGEOIS at Kunstmuseum Basel, Switzerland, and Hayward Gallery, London, UK.
172 — Lonely Arts | | En ligne : | https://www.frieze.com/magazines/frieze-magazine/issue-228 |
Frieze #228 : June/July/August 2022 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Mariam ELNOZAHY, Auteur ; Dardan ZHEGROVA, Auteur ; Orit GAT, Auteur ; Stéphanie LACAVA, Auteur ; Sejla KAMERIC, Auteur ; Adela DEMETJA, Auteur ; Shiv KOTECHA, Auteur ; Grada KILOMBA, Auteur ; Trisha LOW, Auteur . - Londres : Frieze, 2022 . - 172 p. : ill. N&B et coul. ; 23 x 30 cm. ISSN : 6797 : 12,00€ Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. Langues : Anglais ( eng) | Catégories : | 3. Culture:3.50 Arts visuels:Arts visuels
| | Mots-clés : | Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes, Manifesta, Kosovo, Yougoslavie, Balkans, impérialisme, US, États-Unis, | | Résumé : | ‘I hope that this edition of Manifesta will provide opportunities for young regional artists and make them the focus of the international media spotlight.’ – Šejla Kamerić
In the summer issue of frieze, ahead of Manifesta in Kosovo, writer and curator Viktoria Draganova, curator Adela Demetja, professor Branislav Dimitrijević and artists Šejla Kamerić and Dardan Zhegrova consider what the exhibition might mean for art production and cross-border collaboration. Plus, Shiv Kotecha profiles artist Tony Cokes ahead of shows at Haus der Kunst and Kunstverein, Munich. | | Note de contenu : |
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
14 — One Take: Meriem Bennani
Stephanie LaCava responds to a single work by Meriem Bennani.
COLUMNS:
The Desert: The Map and the Territory
17 — On OPERA, MEGACITIES and GHOST TOWNS
Mariam Elnozahy examines the cultural offer and plans for Egypt’s new capital city.
20 — Robert Weather guards the legacy of WALTER DE MARIA
Kathleen Shields speaks to Robert Weathers, the groundskeeper tasked with maintaining Walter de Maria’s The Lightning Field (1977).
23 — A journey into forgotten DIGITAL DOMAINS
Orit Gat ventures into the treacherous world of online deserts.
27 — THIRST TRAPS: a new way to view contemporary Arab cinema
Róisín Tapponi considers the theme of thirst in Arab cinema.
FEATURES:
‘For Westerners, the word Balkans implied something very dangerous – a messy territory.’ – Branislav Dimitrijević. Thirty years after the break up of Yugoslavia and 22 years after Manifesta 3 in Ljubljana, the nomadic biennale is returning to the Balkans.
66 — Roundtable: THE WESTERN BALKANS
Ahead of Manifesta 14, artists and curators discuss the region.
78 — 1,500 Words: XANDRA IBARRA and the nuances of sensation
Trisha Low enters the world of performance artist Bob Flanagan via new work by Xandra Ibarra.
84 — Profile: TONY COKES
‘Police brutality, anti-Blackness, American war crimes: these are some of the violences that Cokes’s videos explicitly address.’ – Shiv Kotecha. Tony Cokes uses music and theory to challenge contemporary anti-Blackness and the legacies of US imperialism. Shiv Kotecha asks: Can you still dance to it?
92 — Interview: GRADA KILOMBA
Victoria Adukwei Bulley speaks to Grada Kilomba, the 2021-22 resident artist at BoCA, Lisbon.
100 — Essay: The global political influence of SURREALIST CINEMA
Ela Bittencourt investigates the influence of surrealism in global cinema against a backdrop of political instability, focusing on three films, Sedmikrásky (Daisies, 1966), Bang Bang (1971) and Touki Bouki (The Journey of the Hyena, 1973).
REVIEWS:
148 — LOUISE BOURGEOIS at Kunstmuseum Basel, Switzerland, and Hayward Gallery, London, UK.
172 — Lonely Arts | | En ligne : | https://www.frieze.com/magazines/frieze-magazine/issue-228 |
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Affiner la recherche Interroger des sources externesFrieze #228 : June/July/August 2022 / Andrew DURBIN ; Mariam ELNOZAHY ; Dardan ZHEGROVA ; Orit GAT ; Stéphanie LACAVA ; Sejla KAMERIC ; Adela DEMETJA ; Shiv KOTECHA ; Grada KILOMBA ; Trisha LOW
