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Auteur Shiv KOTECHA
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Affiner la recherche Interroger des sources externesFrieze #228 : June/July/August 2022 / Andrew DURBIN ; Mariam ELNOZAHY ; Dardan ZHEGROVA ; Orit GAT ; Stéphanie LACAVA ; Sejla KAMERIC ; Adela DEMETJA ; Shiv KOTECHA ; Grada KILOMBA ; Trisha LOW
Titre : Frieze #228 : June/July/August 2022 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Mariam ELNOZAHY, Auteur ; Dardan ZHEGROVA, Auteur ; Orit GAT, Auteur ; Stéphanie LACAVA, Auteur ; Sejla KAMERIC, Auteur ; Adela DEMETJA, Auteur ; Shiv KOTECHA, Auteur ; Grada KILOMBA, Auteur ; Trisha LOW, Auteur Editeur : Londres : Frieze Année de publication : 2022 Importance : 172 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6797 Prix : 12,00€ Note générale : Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes, Manifesta, Kosovo, Yougoslavie, Balkans, impérialisme, US, États-Unis, Résumé : ‘I hope that this edition of Manifesta will provide opportunities for young regional artists and make them the focus of the international media spotlight.’ – Šejla Kamerić
In the summer issue of frieze, ahead of Manifesta in Kosovo, writer and curator Viktoria Draganova, curator Adela Demetja, professor Branislav Dimitrijević and artists Šejla Kamerić and Dardan Zhegrova consider what the exhibition might mean for art production and cross-border collaboration. Plus, Shiv Kotecha profiles artist Tony Cokes ahead of shows at Haus der Kunst and Kunstverein, Munich.Note de contenu :
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
14 — One Take: Meriem Bennani
Stephanie LaCava responds to a single work by Meriem Bennani.
COLUMNS:
The Desert: The Map and the Territory
17 — On OPERA, MEGACITIES and GHOST TOWNS
Mariam Elnozahy examines the cultural offer and plans for Egypt’s new capital city.
20 — Robert Weather guards the legacy of WALTER DE MARIA
Kathleen Shields speaks to Robert Weathers, the groundskeeper tasked with maintaining Walter de Maria’s The Lightning Field (1977).
23 — A journey into forgotten DIGITAL DOMAINS
Orit Gat ventures into the treacherous world of online deserts.
27 — THIRST TRAPS: a new way to view contemporary Arab cinema
Róisín Tapponi considers the theme of thirst in Arab cinema.
FEATURES:
‘For Westerners, the word Balkans implied something very dangerous – a messy territory.’ – Branislav Dimitrijević. Thirty years after the break up of Yugoslavia and 22 years after Manifesta 3 in Ljubljana, the nomadic biennale is returning to the Balkans.
66 — Roundtable: THE WESTERN BALKANS
Ahead of Manifesta 14, artists and curators discuss the region.
78 — 1,500 Words: XANDRA IBARRA and the nuances of sensation
Trisha Low enters the world of performance artist Bob Flanagan via new work by Xandra Ibarra.
84 — Profile: TONY COKES
‘Police brutality, anti-Blackness, American war crimes: these are some of the violences that Cokes’s videos explicitly address.’ – Shiv Kotecha. Tony Cokes uses music and theory to challenge contemporary anti-Blackness and the legacies of US imperialism. Shiv Kotecha asks: Can you still dance to it?
92 — Interview: GRADA KILOMBA
Victoria Adukwei Bulley speaks to Grada Kilomba, the 2021-22 resident artist at BoCA, Lisbon.
100 — Essay: The global political influence of SURREALIST CINEMA
Ela Bittencourt investigates the influence of surrealism in global cinema against a backdrop of political instability, focusing on three films, Sedmikrásky (Daisies, 1966), Bang Bang (1971) and Touki Bouki (The Journey of the Hyena, 1973).
REVIEWS:
148 — LOUISE BOURGEOIS at Kunstmuseum Basel, Switzerland, and Hayward Gallery, London, UK.
172 — Lonely ArtsEn ligne : https://www.frieze.com/magazines/frieze-magazine/issue-228 Frieze #228 : June/July/August 2022 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Mariam ELNOZAHY, Auteur ; Dardan ZHEGROVA, Auteur ; Orit GAT, Auteur ; Stéphanie LACAVA, Auteur ; Sejla KAMERIC, Auteur ; Adela DEMETJA, Auteur ; Shiv KOTECHA, Auteur ; Grada KILOMBA, Auteur ; Trisha LOW, Auteur . - Londres : Frieze, 2022 . - 172 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6797 : 12,00€
Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world.
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes, Manifesta, Kosovo, Yougoslavie, Balkans, impérialisme, US, États-Unis, Résumé : ‘I hope that this edition of Manifesta will provide opportunities for young regional artists and make them the focus of the international media spotlight.’ – Šejla Kamerić
In the summer issue of frieze, ahead of Manifesta in Kosovo, writer and curator Viktoria Draganova, curator Adela Demetja, professor Branislav Dimitrijević and artists Šejla Kamerić and Dardan Zhegrova consider what the exhibition might mean for art production and cross-border collaboration. Plus, Shiv Kotecha profiles artist Tony Cokes ahead of shows at Haus der Kunst and Kunstverein, Munich.Note de contenu :
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
14 — One Take: Meriem Bennani
Stephanie LaCava responds to a single work by Meriem Bennani.
COLUMNS:
The Desert: The Map and the Territory
17 — On OPERA, MEGACITIES and GHOST TOWNS
Mariam Elnozahy examines the cultural offer and plans for Egypt’s new capital city.
20 — Robert Weather guards the legacy of WALTER DE MARIA
Kathleen Shields speaks to Robert Weathers, the groundskeeper tasked with maintaining Walter de Maria’s The Lightning Field (1977).
23 — A journey into forgotten DIGITAL DOMAINS
Orit Gat ventures into the treacherous world of online deserts.
27 — THIRST TRAPS: a new way to view contemporary Arab cinema
Róisín Tapponi considers the theme of thirst in Arab cinema.
FEATURES:
‘For Westerners, the word Balkans implied something very dangerous – a messy territory.’ – Branislav Dimitrijević. Thirty years after the break up of Yugoslavia and 22 years after Manifesta 3 in Ljubljana, the nomadic biennale is returning to the Balkans.
66 — Roundtable: THE WESTERN BALKANS
Ahead of Manifesta 14, artists and curators discuss the region.
78 — 1,500 Words: XANDRA IBARRA and the nuances of sensation
Trisha Low enters the world of performance artist Bob Flanagan via new work by Xandra Ibarra.
84 — Profile: TONY COKES
‘Police brutality, anti-Blackness, American war crimes: these are some of the violences that Cokes’s videos explicitly address.’ – Shiv Kotecha. Tony Cokes uses music and theory to challenge contemporary anti-Blackness and the legacies of US imperialism. Shiv Kotecha asks: Can you still dance to it?
92 — Interview: GRADA KILOMBA
Victoria Adukwei Bulley speaks to Grada Kilomba, the 2021-22 resident artist at BoCA, Lisbon.
100 — Essay: The global political influence of SURREALIST CINEMA
Ela Bittencourt investigates the influence of surrealism in global cinema against a backdrop of political instability, focusing on three films, Sedmikrásky (Daisies, 1966), Bang Bang (1971) and Touki Bouki (The Journey of the Hyena, 1973).
REVIEWS:
148 — LOUISE BOURGEOIS at Kunstmuseum Basel, Switzerland, and Hayward Gallery, London, UK.
172 — Lonely ArtsEn ligne : https://www.frieze.com/magazines/frieze-magazine/issue-228 Exemplaires
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Titre : Frieze #239 : November/December 2023 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Wilson TARBOX, Auteur ; Ben DAVIS, Auteur ; Stephanie DINKINS, Auteur ; Mike PEPI, Auteur ; Noam SEGAL, Auteur ; Christopher KULENDRAN THOMAS, Auteur ; Simon WU, Auteur ; Hajra WAHEED, Auteur ; Wassan AL-KHUDHAIRI, Auteur ; Robyn BRENTANO, Auteur ; Brian DILLON, Auteur ; MILLET, Catherine, Auteur ; Paul CHAN, Auteur ; Shiv KOTECHA, Auteur ; Orit GAT, Auteur ; Fernanda BRENNER, Auteur ; Lutz BACHER, Auteur Editeur : Londres : Frieze Année de publication : 2023 Importance : 162 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 7006 Prix : 15,00 € Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, AI, IA, intelligence artificielle, Chat GPT Résumé : ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis.’ – Wilson Tarbox
In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, whose first solo show in Italy is on view at GAMeC Bergamo, and Ben Davis, Stephanie Dinkins, Mike Pepi, Noam Segal and Christopher Kulendran Thomas contribute to a discussion on the impact of AI technologies on artistic production.Note de contenu :
CONTENTS:
EDITOR'S LETTER - p.13
To Do: ROBERT WILSON - p.17
A new series of artist ‘to-do’ lists.
One Take: LUTZ BACHER - p.18
Matthew McLean on a single work by Lutz Bacher.
RE-EVALUATIONS. À LA RECHERCHE...
* The confessions of CATHERINE MILLET - p.21
Brian Dillon ponders Catherine Millet in the #MeToo era.
* The power and the glory of JEFF KOONS - p.24
Paul Chan names Jeff Koons America’s most religious artist.
* At the cinema with Madame Satã - p.27
Fernanda Brenner on the influence of Karim Aïnouz’s film Madame Satã (2002) on a generation of Brazilian artists.
* Generation disappointment - p.28
Shiv Kotecha lauds Bernardo Bertolucci’s film The Dreamers (2003).
* What happened to post-internet art? - p.31
Orit Gat defines post-internet art as a product of digital culture’s seismic shift.
FEATURES
* Profile: ALI CHERI - p.56
‘Close examination of Cherri’s practice reveals it to be deeply invested in questions of human dignity and welfare.’ Wilson Tarbox visits the winner of the Silver Lion at last year’s Venice Biennale and considers the role of an artist in a time of political crisis.
* Conversation: HAJRA WAHEED and WASSAN AL-KHUDHAIRI - p.64
Wassan Al-Khudhairi speaks to Hajra Waheed, ahead of the artist’s solo show at Contemporary Art Museum St. Louis.
* Roundtable: How AI technology influences artistic creativity - p.70
‘We want to offload our problems onto this technology, but it always comes back to the humans behind it and how we start those negotiations.’ As generative AI and large language models such as ChatGPT storm our creative industries, five artists and writers delve into a philosophical and political debate on the viability of machine artistry.
* Essay: A year in Asian American media - p.82
Simon Wu examines the year in Asian American media, asking if such a denomination can still exist.
* 1,500 Words: Behind the scenes with ROBERT WILSON - p.90
Robyn Brentano revisits Robert Wilson’s opera The Life and Times of Joseph Stalin (1973) on its 50th anniversary.
REVIEWS
* São Paulo Art Biennial, Brazil - p.138
* Lonely Arts - p.156En ligne : https://shopcc.frieze.com/products/current-issue-november-december-2023-issue-23 [...] Frieze #239 : November/December 2023 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Wilson TARBOX, Auteur ; Ben DAVIS, Auteur ; Stephanie DINKINS, Auteur ; Mike PEPI, Auteur ; Noam SEGAL, Auteur ; Christopher KULENDRAN THOMAS, Auteur ; Simon WU, Auteur ; Hajra WAHEED, Auteur ; Wassan AL-KHUDHAIRI, Auteur ; Robyn BRENTANO, Auteur ; Brian DILLON, Auteur ; MILLET, Catherine, Auteur ; Paul CHAN, Auteur ; Shiv KOTECHA, Auteur ; Orit GAT, Auteur ; Fernanda BRENNER, Auteur ; Lutz BACHER, Auteur . - Londres : Frieze, 2023 . - 162 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 7006 : 15,00 €
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, AI, IA, intelligence artificielle, Chat GPT Résumé : ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis.’ – Wilson Tarbox
In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, whose first solo show in Italy is on view at GAMeC Bergamo, and Ben Davis, Stephanie Dinkins, Mike Pepi, Noam Segal and Christopher Kulendran Thomas contribute to a discussion on the impact of AI technologies on artistic production.Note de contenu :
CONTENTS:
EDITOR'S LETTER - p.13
To Do: ROBERT WILSON - p.17
A new series of artist ‘to-do’ lists.
One Take: LUTZ BACHER - p.18
Matthew McLean on a single work by Lutz Bacher.
RE-EVALUATIONS. À LA RECHERCHE...
* The confessions of CATHERINE MILLET - p.21
Brian Dillon ponders Catherine Millet in the #MeToo era.
* The power and the glory of JEFF KOONS - p.24
Paul Chan names Jeff Koons America’s most religious artist.
* At the cinema with Madame Satã - p.27
Fernanda Brenner on the influence of Karim Aïnouz’s film Madame Satã (2002) on a generation of Brazilian artists.
* Generation disappointment - p.28
Shiv Kotecha lauds Bernardo Bertolucci’s film The Dreamers (2003).
* What happened to post-internet art? - p.31
Orit Gat defines post-internet art as a product of digital culture’s seismic shift.
FEATURES
* Profile: ALI CHERI - p.56
‘Close examination of Cherri’s practice reveals it to be deeply invested in questions of human dignity and welfare.’ Wilson Tarbox visits the winner of the Silver Lion at last year’s Venice Biennale and considers the role of an artist in a time of political crisis.
* Conversation: HAJRA WAHEED and WASSAN AL-KHUDHAIRI - p.64
Wassan Al-Khudhairi speaks to Hajra Waheed, ahead of the artist’s solo show at Contemporary Art Museum St. Louis.
* Roundtable: How AI technology influences artistic creativity - p.70
‘We want to offload our problems onto this technology, but it always comes back to the humans behind it and how we start those negotiations.’ As generative AI and large language models such as ChatGPT storm our creative industries, five artists and writers delve into a philosophical and political debate on the viability of machine artistry.
* Essay: A year in Asian American media - p.82
Simon Wu examines the year in Asian American media, asking if such a denomination can still exist.
* 1,500 Words: Behind the scenes with ROBERT WILSON - p.90
Robyn Brentano revisits Robert Wilson’s opera The Life and Times of Joseph Stalin (1973) on its 50th anniversary.
REVIEWS
* São Paulo Art Biennial, Brazil - p.138
* Lonely Arts - p.156En ligne : https://shopcc.frieze.com/products/current-issue-november-december-2023-issue-23 [...] Exemplaires
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