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Auteur Brian DILLON
Documents disponibles écrits par cet auteur
Affiner la recherche Interroger des sources externesFrieze #230 : October 2022 / Andrew DURBIN ; Aldeide DELGADO ; Vanessa PETERSON ; Lindsay CHOI ; Laura McLEAN-FERRIS ; Lauren CORNELL ; Allie BISWAS ; Brian DILLON ; Terence TROUILLOT ; Camilla GRUDOVA
Titre : Frieze #230 : October 2022 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Aldeide DELGADO, Auteur ; Vanessa PETERSON, Auteur ; Lindsay CHOI, Auteur ; Laura McLEAN-FERRIS, Auteur ; Lauren CORNELL, Auteur ; Allie BISWAS, Auteur ; Brian DILLON, Auteur ; Terence TROUILLOT, Auteur ; Camilla GRUDOVA, Auteur Editeur : Londres : Frieze Année de publication : 2022 Importance : 202 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6798 Prix : 12,00€ Note générale : Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : The October issue of frieze leads with a profile on Garrett Bradley ahead of the US-based filmmaker’s debut UK solo show at Lisson Gallery. Plus in a dossier on London’s young gallery scene, Sean Burns, Philomena Epps, Charlotte Jansen and Sam Moore speak to the emerging gallerists taking a risk and supporting fledgling artists in the capital city. Note de contenu : SOMMAIRE
19 — Going Up, Going Down
Going Up, Going Down charts the rise of novels about poets and the decline of ‘friendly’ design…
20 — One Take: BELKIS AYÓN
Aldeide Delago writes about a single work by the Cuban artist Belkis Ayón.
SPELL IT OUT:
Reading Between the Lines
23 — CHRISTINE SUN KIM sounds out the echo
Emily McDermott reflects on Christine Sun Kim’s role as an artist and activist for the Deaf community.
26 — How IGNOTA PRESS prints the unknown
Publisher Sarah Shin tells Vanessa Peterson about creating spaces for the unknown at Ignota Books.
29 — The transformations of THERESA HAK KYUNG CHA
Lindsay Choi looks at two works by artist and writer Theresa Hak Kyung Cha.
30 — Searching for NUAR ALSADIR's 'inner clown'
Laura McLean-Ferris unpacks the ‘inner clown’ in Nuar Alsadir’s new book Animal Joy.
35 — DARA BIRNBAUM and MARTINE SYMS on images and ideology
Artists Dara Birnbaum and Martine Syms discuss the systems and ideologies underpinning media today.
FEATURES:
86 — Profile: GARRETT BRADLEY
96 — Dossier: LONDON'S LATEST: Four new galleries to watch
106 — Essay: The ferocity of KATE BUSH
Following the renewed popularity of Bush’s ‘Running Up that Hill’ (1985), Dillon looks back on the singer’s lesser-known fourth studio album, The Dreaming (1982) – an experimental release that best reflects the artist’s musical ferocity.
114 — Interview: Barbara Chase-Riboud
'I discovered new civilizations and new ways of looking at the world.’ Senior editor Terence Trouillot speaks with the artist about her recent exhibitions at the Pulitzer Arts Foundation in St. Louis and the Serpentine Gallery in London, her memoirs and how her writing and art practice are meeting for the first time.
122 — 1,500 Words: Art's rag-doll women
REVIEWS:
176 — FRONT International, Cleveland, USA
202 — Lonely Arts
frieze’s Lonely Arts explores art kinks.
En ligne : https://cahiercentral.com/collections/magazines/products/frieze-230 Frieze #230 : October 2022 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Aldeide DELGADO, Auteur ; Vanessa PETERSON, Auteur ; Lindsay CHOI, Auteur ; Laura McLEAN-FERRIS, Auteur ; Lauren CORNELL, Auteur ; Allie BISWAS, Auteur ; Brian DILLON, Auteur ; Terence TROUILLOT, Auteur ; Camilla GRUDOVA, Auteur . - Londres : Frieze, 2022 . - 202 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6798 : 12,00€
Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world.
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : The October issue of frieze leads with a profile on Garrett Bradley ahead of the US-based filmmaker’s debut UK solo show at Lisson Gallery. Plus in a dossier on London’s young gallery scene, Sean Burns, Philomena Epps, Charlotte Jansen and Sam Moore speak to the emerging gallerists taking a risk and supporting fledgling artists in the capital city. Note de contenu : SOMMAIRE
19 — Going Up, Going Down
Going Up, Going Down charts the rise of novels about poets and the decline of ‘friendly’ design…
20 — One Take: BELKIS AYÓN
Aldeide Delago writes about a single work by the Cuban artist Belkis Ayón.
SPELL IT OUT:
Reading Between the Lines
23 — CHRISTINE SUN KIM sounds out the echo
Emily McDermott reflects on Christine Sun Kim’s role as an artist and activist for the Deaf community.
26 — How IGNOTA PRESS prints the unknown
Publisher Sarah Shin tells Vanessa Peterson about creating spaces for the unknown at Ignota Books.
29 — The transformations of THERESA HAK KYUNG CHA
Lindsay Choi looks at two works by artist and writer Theresa Hak Kyung Cha.
30 — Searching for NUAR ALSADIR's 'inner clown'
Laura McLean-Ferris unpacks the ‘inner clown’ in Nuar Alsadir’s new book Animal Joy.
35 — DARA BIRNBAUM and MARTINE SYMS on images and ideology
Artists Dara Birnbaum and Martine Syms discuss the systems and ideologies underpinning media today.
FEATURES:
86 — Profile: GARRETT BRADLEY
96 — Dossier: LONDON'S LATEST: Four new galleries to watch
106 — Essay: The ferocity of KATE BUSH
Following the renewed popularity of Bush’s ‘Running Up that Hill’ (1985), Dillon looks back on the singer’s lesser-known fourth studio album, The Dreaming (1982) – an experimental release that best reflects the artist’s musical ferocity.
114 — Interview: Barbara Chase-Riboud
'I discovered new civilizations and new ways of looking at the world.’ Senior editor Terence Trouillot speaks with the artist about her recent exhibitions at the Pulitzer Arts Foundation in St. Louis and the Serpentine Gallery in London, her memoirs and how her writing and art practice are meeting for the first time.
122 — 1,500 Words: Art's rag-doll women
REVIEWS:
176 — FRONT International, Cleveland, USA
202 — Lonely Arts
frieze’s Lonely Arts explores art kinks.
En ligne : https://cahiercentral.com/collections/magazines/products/frieze-230 Exemplaires
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Titre : Frieze #239 : November/December 2023 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Wilson TARBOX, Auteur ; Ben DAVIS, Auteur ; Stephanie DINKINS, Auteur ; Mike PEPI, Auteur ; Noam SEGAL, Auteur ; Christopher KULENDRAN THOMAS, Auteur ; Simon WU, Auteur ; Hajra WAHEED, Auteur ; Wassan AL-KHUDHAIRI, Auteur ; Robyn BRENTANO, Auteur ; Brian DILLON, Auteur ; MILLET, Catherine, Auteur ; Paul CHAN, Auteur ; Shiv KOTECHA, Auteur ; Orit GAT, Auteur ; Fernanda BRENNER, Auteur ; Lutz BACHER, Auteur Editeur : Londres : Frieze Année de publication : 2023 Importance : 162 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 7006 Prix : 15,00 € Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, AI, IA, intelligence artificielle, Chat GPT Résumé : ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis.’ – Wilson Tarbox
In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, whose first solo show in Italy is on view at GAMeC Bergamo, and Ben Davis, Stephanie Dinkins, Mike Pepi, Noam Segal and Christopher Kulendran Thomas contribute to a discussion on the impact of AI technologies on artistic production.Note de contenu :
CONTENTS:
EDITOR'S LETTER - p.13
To Do: ROBERT WILSON - p.17
A new series of artist ‘to-do’ lists.
One Take: LUTZ BACHER - p.18
Matthew McLean on a single work by Lutz Bacher.
RE-EVALUATIONS. À LA RECHERCHE...
* The confessions of CATHERINE MILLET - p.21
Brian Dillon ponders Catherine Millet in the #MeToo era.
* The power and the glory of JEFF KOONS - p.24
Paul Chan names Jeff Koons America’s most religious artist.
* At the cinema with Madame Satã - p.27
Fernanda Brenner on the influence of Karim Aïnouz’s film Madame Satã (2002) on a generation of Brazilian artists.
* Generation disappointment - p.28
Shiv Kotecha lauds Bernardo Bertolucci’s film The Dreamers (2003).
* What happened to post-internet art? - p.31
Orit Gat defines post-internet art as a product of digital culture’s seismic shift.
FEATURES
* Profile: ALI CHERI - p.56
‘Close examination of Cherri’s practice reveals it to be deeply invested in questions of human dignity and welfare.’ Wilson Tarbox visits the winner of the Silver Lion at last year’s Venice Biennale and considers the role of an artist in a time of political crisis.
* Conversation: HAJRA WAHEED and WASSAN AL-KHUDHAIRI - p.64
Wassan Al-Khudhairi speaks to Hajra Waheed, ahead of the artist’s solo show at Contemporary Art Museum St. Louis.
* Roundtable: How AI technology influences artistic creativity - p.70
‘We want to offload our problems onto this technology, but it always comes back to the humans behind it and how we start those negotiations.’ As generative AI and large language models such as ChatGPT storm our creative industries, five artists and writers delve into a philosophical and political debate on the viability of machine artistry.
* Essay: A year in Asian American media - p.82
Simon Wu examines the year in Asian American media, asking if such a denomination can still exist.
* 1,500 Words: Behind the scenes with ROBERT WILSON - p.90
Robyn Brentano revisits Robert Wilson’s opera The Life and Times of Joseph Stalin (1973) on its 50th anniversary.
REVIEWS
* São Paulo Art Biennial, Brazil - p.138
* Lonely Arts - p.156En ligne : https://shopcc.frieze.com/products/current-issue-november-december-2023-issue-23 [...] Frieze #239 : November/December 2023 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Wilson TARBOX, Auteur ; Ben DAVIS, Auteur ; Stephanie DINKINS, Auteur ; Mike PEPI, Auteur ; Noam SEGAL, Auteur ; Christopher KULENDRAN THOMAS, Auteur ; Simon WU, Auteur ; Hajra WAHEED, Auteur ; Wassan AL-KHUDHAIRI, Auteur ; Robyn BRENTANO, Auteur ; Brian DILLON, Auteur ; MILLET, Catherine, Auteur ; Paul CHAN, Auteur ; Shiv KOTECHA, Auteur ; Orit GAT, Auteur ; Fernanda BRENNER, Auteur ; Lutz BACHER, Auteur . - Londres : Frieze, 2023 . - 162 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 7006 : 15,00 €
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, AI, IA, intelligence artificielle, Chat GPT Résumé : ‘The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis.’ – Wilson Tarbox
In the November/December issue of frieze, Wilson Tarbox profiles Ali Cherri, whose first solo show in Italy is on view at GAMeC Bergamo, and Ben Davis, Stephanie Dinkins, Mike Pepi, Noam Segal and Christopher Kulendran Thomas contribute to a discussion on the impact of AI technologies on artistic production.Note de contenu :
CONTENTS:
EDITOR'S LETTER - p.13
To Do: ROBERT WILSON - p.17
A new series of artist ‘to-do’ lists.
One Take: LUTZ BACHER - p.18
Matthew McLean on a single work by Lutz Bacher.
RE-EVALUATIONS. À LA RECHERCHE...
* The confessions of CATHERINE MILLET - p.21
Brian Dillon ponders Catherine Millet in the #MeToo era.
* The power and the glory of JEFF KOONS - p.24
Paul Chan names Jeff Koons America’s most religious artist.
* At the cinema with Madame Satã - p.27
Fernanda Brenner on the influence of Karim Aïnouz’s film Madame Satã (2002) on a generation of Brazilian artists.
* Generation disappointment - p.28
Shiv Kotecha lauds Bernardo Bertolucci’s film The Dreamers (2003).
* What happened to post-internet art? - p.31
Orit Gat defines post-internet art as a product of digital culture’s seismic shift.
FEATURES
* Profile: ALI CHERI - p.56
‘Close examination of Cherri’s practice reveals it to be deeply invested in questions of human dignity and welfare.’ Wilson Tarbox visits the winner of the Silver Lion at last year’s Venice Biennale and considers the role of an artist in a time of political crisis.
* Conversation: HAJRA WAHEED and WASSAN AL-KHUDHAIRI - p.64
Wassan Al-Khudhairi speaks to Hajra Waheed, ahead of the artist’s solo show at Contemporary Art Museum St. Louis.
* Roundtable: How AI technology influences artistic creativity - p.70
‘We want to offload our problems onto this technology, but it always comes back to the humans behind it and how we start those negotiations.’ As generative AI and large language models such as ChatGPT storm our creative industries, five artists and writers delve into a philosophical and political debate on the viability of machine artistry.
* Essay: A year in Asian American media - p.82
Simon Wu examines the year in Asian American media, asking if such a denomination can still exist.
* 1,500 Words: Behind the scenes with ROBERT WILSON - p.90
Robyn Brentano revisits Robert Wilson’s opera The Life and Times of Joseph Stalin (1973) on its 50th anniversary.
REVIEWS
* São Paulo Art Biennial, Brazil - p.138
* Lonely Arts - p.156En ligne : https://shopcc.frieze.com/products/current-issue-november-december-2023-issue-23 [...] Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Titre : Frieze #243 : May 2024 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Eddie CHAMBERS, Auteur ; MARA DE WACHTER Ellen, Auteur ; Carlos VALLADARES, Auteur ; Franklin MELENDEZ, Auteur ; Isabel PARKES, Auteur ; Alastair CURTIS, Auteur ; Hettie JUDAH, Auteur ; Gary ZHEXI ZHANG, Auteur ; TILLMAN, Lynne, Auteur ; JONAS, Joan, Auteur ; Brian DILLON, Auteur Editeur : Londres : Frieze Année de publication : 2024 Importance : 180 p. Présentation : ill. N&B et coul. Format : 23,5 x 30 cm ISBN/ISSN/EAN : 7152 Prix : 15,00 € Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, performance, rituel, Harlem, minorités, artistes Noirs, invisibilisation, LGBT, queer, Faeries, Sida, AIDS, VIH Résumé : In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. Plus, Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
In the columns section, Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice, Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968); Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry; Isabel Parkes pens a guide to staging a performance piece and Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
Note de contenu : CONTENTS:
EDITOR'S LETTER - p.15
To Do: LYNNE TILLMAN - p.19
One Take: DONALD RODNEY - p.20
In honour of Donald Rodney’s upcoming exhibition at Spike Island, Eddie Chambers responds to the artist’s 1992 work Doublethink.
BEHIND THE SCENES: WHAT LIES BENEATH
— — — —
* KOBBY ADI's meaning in absentia - p.23
Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice.
* A contentious retelling of Harlem life - p.27
Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968).
* THEODORA SKIPITARE's shapeshifting puppets - p.29
Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry.
* How to prepare for your performance - p.20
Isabel Parkes pens a guide to staging a performance piece.
* Reconstructing the queer theater archive - p.33
Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
FEATURES
— — — —
* Survey: Celebrating the Studio Museum - p.62
Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
‘The Black radical tradition taught us that the only way out is through.’ As the museum prepares to open its new building on 125th Street, writers and curators reflect on its essential role as a site of connection, exchange and debate for Black artists.
* Profile: GHISLAINE LEUNG - p.74
Hettie Judah meets with artist Ghislaine Leung to discuss motherhood and the labour conditions around art making.
* 1,500 Words: Ali Sultan Issa's socialist Zanzibar - p.82
Gary Zhexi Zhang documents Ali Sultan Issa’s socialist Zanzibar.
* Interview: LYNNE TILLMAN and JOAN JONAS on rituals, fairytales and performance - p.88
‘I really saw all the forms coming together: writing, drawing, performing, music. For me, it was about different aspects uniting and informing each other in my work.’ The artist speaks to Lynne Tillman about rituals, fairy tales and the interdisciplinarity which underlines her practice.
* Essay: 100 years of ROBERT FRANK - p.98
Brian Dillon retraces photographer Robert Frank’s prolific career in honour of his upcoming centenary.
REVIEWS
— — — —
* The Whitney Biennial, New York, US - p.138
* The Gimley Report - p.160
En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-243 Frieze #243 : May 2024 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Eddie CHAMBERS, Auteur ; MARA DE WACHTER Ellen, Auteur ; Carlos VALLADARES, Auteur ; Franklin MELENDEZ, Auteur ; Isabel PARKES, Auteur ; Alastair CURTIS, Auteur ; Hettie JUDAH, Auteur ; Gary ZHEXI ZHANG, Auteur ; TILLMAN, Lynne, Auteur ; JONAS, Joan, Auteur ; Brian DILLON, Auteur . - Londres : Frieze, 2024 . - 180 p. : ill. N&B et coul. ; 23,5 x 30 cm.
ISSN : 7152 : 15,00 €
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, performance, rituel, Harlem, minorités, artistes Noirs, invisibilisation, LGBT, queer, Faeries, Sida, AIDS, VIH Résumé : In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. Plus, Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
In the columns section, Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice, Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968); Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry; Isabel Parkes pens a guide to staging a performance piece and Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
Note de contenu : CONTENTS:
EDITOR'S LETTER - p.15
To Do: LYNNE TILLMAN - p.19
One Take: DONALD RODNEY - p.20
In honour of Donald Rodney’s upcoming exhibition at Spike Island, Eddie Chambers responds to the artist’s 1992 work Doublethink.
BEHIND THE SCENES: WHAT LIES BENEATH
— — — —
* KOBBY ADI's meaning in absentia - p.23
Ellen Mara de Wachter outlines the significance of absence in Kobby Adi’s practice.
* A contentious retelling of Harlem life - p.27
Carlos Valladares assesses the contentious depiction of 1960s Harlem in Shirley Clarke’s The Cool World (1968).
* THEODORA SKIPITARE's shapeshifting puppets - p.29
Theodora Skipitares speaks to Franklin Melendez about the critical legacy of puppetry.
* How to prepare for your performance - p.20
Isabel Parkes pens a guide to staging a performance piece.
* Reconstructing the queer theater archive - p.33
Alastair Curtis delves into the elusive queer theatre archive to ask how it might be revived.
FEATURES
— — — —
* Survey: Celebrating the Studio Museum - p.62
Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.
‘The Black radical tradition taught us that the only way out is through.’ As the museum prepares to open its new building on 125th Street, writers and curators reflect on its essential role as a site of connection, exchange and debate for Black artists.
* Profile: GHISLAINE LEUNG - p.74
Hettie Judah meets with artist Ghislaine Leung to discuss motherhood and the labour conditions around art making.
* 1,500 Words: Ali Sultan Issa's socialist Zanzibar - p.82
Gary Zhexi Zhang documents Ali Sultan Issa’s socialist Zanzibar.
* Interview: LYNNE TILLMAN and JOAN JONAS on rituals, fairytales and performance - p.88
‘I really saw all the forms coming together: writing, drawing, performing, music. For me, it was about different aspects uniting and informing each other in my work.’ The artist speaks to Lynne Tillman about rituals, fairy tales and the interdisciplinarity which underlines her practice.
* Essay: 100 years of ROBERT FRANK - p.98
Brian Dillon retraces photographer Robert Frank’s prolific career in honour of his upcoming centenary.
REVIEWS
— — — —
* The Whitney Biennial, New York, US - p.138
* The Gimley Report - p.160
En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-243 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
