A partir de cette page vous pouvez :
| Retourner au premier écran avec les catégories... |
Détail de l'auteur
Auteur Terence TROUILLOT
Documents disponibles écrits par cet auteur
Affiner la recherche Interroger des sources externesFrieze #229 : September 2022 / Andrew DURBIN ; Terence TROUILLOT ; Cathy WADE ; Alastair CURTIS ; Lucy IVES ; Wayne KOESTENBAUM ; Stanton TAYLOR ; Hettie JUDAH ; Jeremy ATHERTON LIN ; Liz KIM ; Alvin LI
Titre : Frieze #229 : September 2022 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Auteur ; Cathy WADE, Auteur ; Alastair CURTIS, Auteur ; Lucy IVES, Auteur ; Wayne KOESTENBAUM, Auteur ; Stanton TAYLOR, Auteur ; Hettie JUDAH, Auteur ; Jeremy ATHERTON LIN, Auteur ; Liz KIM, Auteur ; Alvin LI, Auteur Editeur : Londres : Frieze Année de publication : 2022 Importance : 182 p. Présentation : ill. en coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6837 Prix : 12,00€ Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes Résumé : ‘I somehow have this sense of history – of the now being history.’ – Wolfgang Tillmans
In the September issue of frieze, Jeremy Atherton Lin profiles artist Wolfgang Tillmans ahead of his major survey at the Museum of Modern Art, New York. Plus, ahead of her Turbine Hall commission at Tate Modern, London, we celebrate Cecilia Vicuña with contributions from Andrés Anwandter, Cathy Park Hong, Brenda Lozano, Mónica de la Torre and Alejandro Zambra.Note de contenu :
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
24 — One Take: CAROLEE SCHNEEMANN
Cathy Wade remembers a childhood encounter with Carolee Schneemann’s Up to and Including Her Limits(1973).
PARTING GLANCE:
Until We Meet Again
27 — MATHIEU LINDON creates an archive of love
To coincide with the release of Mathieu Lindon’s new novel, Hervelino (2022), Alastair Curtis examines the writer’s relationships with Michel Foucault and Hervé Guibert.
30 — DO HO SUH's sculptures of the imperfect and the everyday
Lucy Ives corresponds with Do Ho Suh, an artist known for reconstructing lost architecture.
33 — A litany of GOODBYES
Wayne Koestenbaum pens a list of things he’s waved goodbye to, including ‘backstroke’ and ‘admiring large muscles’.
36 — Forging a PSYCHEDELIC path through grief
Cornelius Prior on processing grief through Psilocybin therapy.
39 — REINHARD MUCHA's farewell to West Germany
Stanton Taylor on Reinhard Mucha’s farewell to West Germany.
FEATURES
74 — 1,500 Words: CAROLINE WALKER and the art of mothering
In ‘1,500 words’, coinciding with the release of her book How Not to Exclude Artist Mothers (and Other Parents), Hettie Judah explores the subject of motherhood in the work of Caroline Walker.
80 — Profile: WOLFGANG TILLMANS
‘If the purpose of looking is only to make, then there’s nothing to look at.’ On the occasion of Wolfgang Tillmans’s forthcoming exhibition at the Museum of Modern Art, New York, Jeremy Atherton Lin considers the artist’s search for truth and his many ways of looking.
88 — Essay: SOUTH KOREA's new avant-garde
Liz Kim delves into South Korea’s new artistic avant-garde.
96 — Dossier: CECILIA VICUÑA. 50 years of quipus, palabrarmas and precarios
‘Cecilia Vicuña’s art dissolves the spurious borders between language and media.’ For the September issue of frieze, Andres Anwandter, Cathy Park Hong, Brenda Lozano, Monica de la Torre and Alejandro Zamba pay homage to an artist whose irreducible practice has drawn fantastically on personal and indigenous language and visual culture to challenge the limits of the imagination while evoking new possibilities for our shared reality.
110 — Interview: MIRE LEE
Alvin Li speaks to Mire Lee, whose solo show is open MMK Frankfurt
REVIEWS
150 — DOCUMENTA 15 in Kassel, Germany
180 — Lonely ArtsEn ligne : https://www.frieze.com/magazines/frieze-magazine/issue-229 Frieze #229 : September 2022 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Auteur ; Cathy WADE, Auteur ; Alastair CURTIS, Auteur ; Lucy IVES, Auteur ; Wayne KOESTENBAUM, Auteur ; Stanton TAYLOR, Auteur ; Hettie JUDAH, Auteur ; Jeremy ATHERTON LIN, Auteur ; Liz KIM, Auteur ; Alvin LI, Auteur . - Londres : Frieze, 2022 . - 182 p. : ill. en coul. ; 23 x 30 cm.
ISSN : 6837 : 12,00€
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, art contemporain, actualité, histoire de l'art, critique d'art, analyse, exposition, artistes Résumé : ‘I somehow have this sense of history – of the now being history.’ – Wolfgang Tillmans
In the September issue of frieze, Jeremy Atherton Lin profiles artist Wolfgang Tillmans ahead of his major survey at the Museum of Modern Art, New York. Plus, ahead of her Turbine Hall commission at Tate Modern, London, we celebrate Cecilia Vicuña with contributions from Andrés Anwandter, Cathy Park Hong, Brenda Lozano, Mónica de la Torre and Alejandro Zambra.Note de contenu :
SOMMAIRE
13 — Going Up, Going Down
Going Up, Going Down charts what’s hot and what’s not in the global art world and the latest iteration of our Lonely Arts column.
24 — One Take: CAROLEE SCHNEEMANN
Cathy Wade remembers a childhood encounter with Carolee Schneemann’s Up to and Including Her Limits(1973).
PARTING GLANCE:
Until We Meet Again
27 — MATHIEU LINDON creates an archive of love
To coincide with the release of Mathieu Lindon’s new novel, Hervelino (2022), Alastair Curtis examines the writer’s relationships with Michel Foucault and Hervé Guibert.
30 — DO HO SUH's sculptures of the imperfect and the everyday
Lucy Ives corresponds with Do Ho Suh, an artist known for reconstructing lost architecture.
33 — A litany of GOODBYES
Wayne Koestenbaum pens a list of things he’s waved goodbye to, including ‘backstroke’ and ‘admiring large muscles’.
36 — Forging a PSYCHEDELIC path through grief
Cornelius Prior on processing grief through Psilocybin therapy.
39 — REINHARD MUCHA's farewell to West Germany
Stanton Taylor on Reinhard Mucha’s farewell to West Germany.
FEATURES
74 — 1,500 Words: CAROLINE WALKER and the art of mothering
In ‘1,500 words’, coinciding with the release of her book How Not to Exclude Artist Mothers (and Other Parents), Hettie Judah explores the subject of motherhood in the work of Caroline Walker.
80 — Profile: WOLFGANG TILLMANS
‘If the purpose of looking is only to make, then there’s nothing to look at.’ On the occasion of Wolfgang Tillmans’s forthcoming exhibition at the Museum of Modern Art, New York, Jeremy Atherton Lin considers the artist’s search for truth and his many ways of looking.
88 — Essay: SOUTH KOREA's new avant-garde
Liz Kim delves into South Korea’s new artistic avant-garde.
96 — Dossier: CECILIA VICUÑA. 50 years of quipus, palabrarmas and precarios
‘Cecilia Vicuña’s art dissolves the spurious borders between language and media.’ For the September issue of frieze, Andres Anwandter, Cathy Park Hong, Brenda Lozano, Monica de la Torre and Alejandro Zamba pay homage to an artist whose irreducible practice has drawn fantastically on personal and indigenous language and visual culture to challenge the limits of the imagination while evoking new possibilities for our shared reality.
110 — Interview: MIRE LEE
Alvin Li speaks to Mire Lee, whose solo show is open MMK Frankfurt
REVIEWS
150 — DOCUMENTA 15 in Kassel, Germany
180 — Lonely ArtsEn ligne : https://www.frieze.com/magazines/frieze-magazine/issue-229 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Titre : Frieze #230 : October 2022 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Aldeide DELGADO, Auteur ; Vanessa PETERSON, Auteur ; Lindsay CHOI, Auteur ; Laura McLEAN-FERRIS, Auteur ; Lauren CORNELL, Auteur ; Allie BISWAS, Auteur ; Brian DILLON, Auteur ; Terence TROUILLOT, Auteur ; Camilla GRUDOVA, Auteur Editeur : Londres : Frieze Année de publication : 2022 Importance : 202 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6798 Prix : 12,00€ Note générale : Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : The October issue of frieze leads with a profile on Garrett Bradley ahead of the US-based filmmaker’s debut UK solo show at Lisson Gallery. Plus in a dossier on London’s young gallery scene, Sean Burns, Philomena Epps, Charlotte Jansen and Sam Moore speak to the emerging gallerists taking a risk and supporting fledgling artists in the capital city. Note de contenu : SOMMAIRE
19 — Going Up, Going Down
Going Up, Going Down charts the rise of novels about poets and the decline of ‘friendly’ design…
20 — One Take: BELKIS AYÓN
Aldeide Delago writes about a single work by the Cuban artist Belkis Ayón.
SPELL IT OUT:
Reading Between the Lines
23 — CHRISTINE SUN KIM sounds out the echo
Emily McDermott reflects on Christine Sun Kim’s role as an artist and activist for the Deaf community.
26 — How IGNOTA PRESS prints the unknown
Publisher Sarah Shin tells Vanessa Peterson about creating spaces for the unknown at Ignota Books.
29 — The transformations of THERESA HAK KYUNG CHA
Lindsay Choi looks at two works by artist and writer Theresa Hak Kyung Cha.
30 — Searching for NUAR ALSADIR's 'inner clown'
Laura McLean-Ferris unpacks the ‘inner clown’ in Nuar Alsadir’s new book Animal Joy.
35 — DARA BIRNBAUM and MARTINE SYMS on images and ideology
Artists Dara Birnbaum and Martine Syms discuss the systems and ideologies underpinning media today.
FEATURES:
86 — Profile: GARRETT BRADLEY
96 — Dossier: LONDON'S LATEST: Four new galleries to watch
106 — Essay: The ferocity of KATE BUSH
Following the renewed popularity of Bush’s ‘Running Up that Hill’ (1985), Dillon looks back on the singer’s lesser-known fourth studio album, The Dreaming (1982) – an experimental release that best reflects the artist’s musical ferocity.
114 — Interview: Barbara Chase-Riboud
'I discovered new civilizations and new ways of looking at the world.’ Senior editor Terence Trouillot speaks with the artist about her recent exhibitions at the Pulitzer Arts Foundation in St. Louis and the Serpentine Gallery in London, her memoirs and how her writing and art practice are meeting for the first time.
122 — 1,500 Words: Art's rag-doll women
REVIEWS:
176 — FRONT International, Cleveland, USA
202 — Lonely Arts
frieze’s Lonely Arts explores art kinks.
En ligne : https://cahiercentral.com/collections/magazines/products/frieze-230 Frieze #230 : October 2022 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Aldeide DELGADO, Auteur ; Vanessa PETERSON, Auteur ; Lindsay CHOI, Auteur ; Laura McLEAN-FERRIS, Auteur ; Lauren CORNELL, Auteur ; Allie BISWAS, Auteur ; Brian DILLON, Auteur ; Terence TROUILLOT, Auteur ; Camilla GRUDOVA, Auteur . - Londres : Frieze, 2022 . - 202 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6798 : 12,00€
Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world.
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : The October issue of frieze leads with a profile on Garrett Bradley ahead of the US-based filmmaker’s debut UK solo show at Lisson Gallery. Plus in a dossier on London’s young gallery scene, Sean Burns, Philomena Epps, Charlotte Jansen and Sam Moore speak to the emerging gallerists taking a risk and supporting fledgling artists in the capital city. Note de contenu : SOMMAIRE
19 — Going Up, Going Down
Going Up, Going Down charts the rise of novels about poets and the decline of ‘friendly’ design…
20 — One Take: BELKIS AYÓN
Aldeide Delago writes about a single work by the Cuban artist Belkis Ayón.
SPELL IT OUT:
Reading Between the Lines
23 — CHRISTINE SUN KIM sounds out the echo
Emily McDermott reflects on Christine Sun Kim’s role as an artist and activist for the Deaf community.
26 — How IGNOTA PRESS prints the unknown
Publisher Sarah Shin tells Vanessa Peterson about creating spaces for the unknown at Ignota Books.
29 — The transformations of THERESA HAK KYUNG CHA
Lindsay Choi looks at two works by artist and writer Theresa Hak Kyung Cha.
30 — Searching for NUAR ALSADIR's 'inner clown'
Laura McLean-Ferris unpacks the ‘inner clown’ in Nuar Alsadir’s new book Animal Joy.
35 — DARA BIRNBAUM and MARTINE SYMS on images and ideology
Artists Dara Birnbaum and Martine Syms discuss the systems and ideologies underpinning media today.
FEATURES:
86 — Profile: GARRETT BRADLEY
96 — Dossier: LONDON'S LATEST: Four new galleries to watch
106 — Essay: The ferocity of KATE BUSH
Following the renewed popularity of Bush’s ‘Running Up that Hill’ (1985), Dillon looks back on the singer’s lesser-known fourth studio album, The Dreaming (1982) – an experimental release that best reflects the artist’s musical ferocity.
114 — Interview: Barbara Chase-Riboud
'I discovered new civilizations and new ways of looking at the world.’ Senior editor Terence Trouillot speaks with the artist about her recent exhibitions at the Pulitzer Arts Foundation in St. Louis and the Serpentine Gallery in London, her memoirs and how her writing and art practice are meeting for the first time.
122 — 1,500 Words: Art's rag-doll women
REVIEWS:
176 — FRONT International, Cleveland, USA
202 — Lonely Arts
frieze’s Lonely Arts explores art kinks.
En ligne : https://cahiercentral.com/collections/magazines/products/frieze-230 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Titre : Frieze #231 : November/December 2022 : Art and Technology Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; ARCANGEL, Cory, Auteur ; Paul CHAN, Auteur ; Marko GLUHAICH, Auteur ; Josie THADDEUS-JOHNS, Auteur ; Orit GRAT, Auteur ; B. FINO-RADIN, Auteur ; Skye ARUNDHATI THOMAS, Auteur ; Terence TROUILLOT, Auteur ; Lars BANG LARSEN, Auteur ; Dan HICKS, Auteur Editeur : Londres : Frieze Année de publication : 2022 Importance : 174 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6807 Prix : 12,00 € Note générale : Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world. Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : ‘What if artists were in control of the funding and distributing the money that powers are?’ – Bhavik Singh
In the November/December issue of frieze, senior editor Terence Trouillot convenes a roundtable discussion with artists and writers on decentralized autonomous organizations (DAOs). Plus, Skye Arundhati Thomas profiles artist Danielle Brathwaite-Shirley, whose games, installations and videos centre around Black Trans experience.Note de contenu :
CONTENTS
Editor's Letter — 13
by Andrew Durbin
Going Up, Going Down — 17
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: YOUNG-HAER CHANG HEAVY INDUSTRIES — 20
On the occasion of Young-Hae Chang Heavy Industries’s exhibition at Berlin’s n.b.k., artist Cory Arcangel looks back at an early video piece by the collective.
CONTROL FREAKS: Life at the End of Reality
The merchant of Bitcoin, TOMINAGA NAKAMOTO — 24
Paul Chan highlights passages from Tominaga Nakamoto, the philosopher who possibly inspired Bitcoin’s inventor.
METAHAVEN captures the art quantum physics — 26
Associate editor Marko Gluhaich speaks to Metahaven about its explorations of quantum physics.
Simulating intimate touch with ADINA PINTILIE — 29
Josie Thaddeus-Johns on how Adina Pintilie traverses the raw edge of VR.
Visualizing the face behind SMART TECHNOLOGY — 30
Orit Gat considers whether you should fear your toaster.
AMERICAN ARTIST and ALEX VITALE walk the punishing line between privacy and safety — 33
American Artist and Alex Vitale speak about predictive policing and the alternatives to an expanding police state.
FEATURES
1,500 Words: Pulling the plug on BOB — 62
In ‘1,500 words’, time-based media conservator B. Fino-Radin discusses navigating art and obsolesce.
Profile: DANIELLE BRATHWAITE-SHIRLEY — 68
‘Brathwaite-Shirley’s creations have raw, cracking edges that are alive and seething.’ The artist makes lively, immersive artworks that build towards a community archive. Skye Arundhati Thomas takes a trip through her many worlds.
Roundtable: DAOs. A new wave of artistic cooperation — 78
‘DAOs are a collaboration between code, capital and community.’ Terence Trouillot speaks to Ruth Catlow, Rhea Myers, Penny Rafferty and Bhavik Singh on how DAOs can support creative communities, construct a more equitable art world and promote social play within the digital sphere.
Interview: SUZANNE TREISTER — 88
Suzanne Treister speaks with writer and curator Lars Bang Larsen about predicting the future, time travel and the questions she’s put to the European Organization for Nuclear Research.
Essay: Is 3D printing ethical? — 98
Dan Hicks explores whether 3D printing and NFTs can alter debates about the cultural restitution of looted objects in Euro-American museums.
REVIEWS
Women at War, Friedman Gallery, New York, USA — 144
Lonely Arts — 172
En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-231 Frieze #231 : November/December 2022 : Art and Technology [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; ARCANGEL, Cory, Auteur ; Paul CHAN, Auteur ; Marko GLUHAICH, Auteur ; Josie THADDEUS-JOHNS, Auteur ; Orit GRAT, Auteur ; B. FINO-RADIN, Auteur ; Skye ARUNDHATI THOMAS, Auteur ; Terence TROUILLOT, Auteur ; Lars BANG LARSEN, Auteur ; Dan HICKS, Auteur . - Londres : Frieze, 2022 . - 174 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6807 : 12,00 €
Launched in 1991, Freize has grown into a leading magazine for contemporary art and culture. Frieze aims to elevate the provocative, brilliant and leading voices who shape – and challenge – today’s art world.
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art Résumé : ‘What if artists were in control of the funding and distributing the money that powers are?’ – Bhavik Singh
In the November/December issue of frieze, senior editor Terence Trouillot convenes a roundtable discussion with artists and writers on decentralized autonomous organizations (DAOs). Plus, Skye Arundhati Thomas profiles artist Danielle Brathwaite-Shirley, whose games, installations and videos centre around Black Trans experience.Note de contenu :
CONTENTS
Editor's Letter — 13
by Andrew Durbin
Going Up, Going Down — 17
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: YOUNG-HAER CHANG HEAVY INDUSTRIES — 20
On the occasion of Young-Hae Chang Heavy Industries’s exhibition at Berlin’s n.b.k., artist Cory Arcangel looks back at an early video piece by the collective.
CONTROL FREAKS: Life at the End of Reality
The merchant of Bitcoin, TOMINAGA NAKAMOTO — 24
Paul Chan highlights passages from Tominaga Nakamoto, the philosopher who possibly inspired Bitcoin’s inventor.
METAHAVEN captures the art quantum physics — 26
Associate editor Marko Gluhaich speaks to Metahaven about its explorations of quantum physics.
Simulating intimate touch with ADINA PINTILIE — 29
Josie Thaddeus-Johns on how Adina Pintilie traverses the raw edge of VR.
Visualizing the face behind SMART TECHNOLOGY — 30
Orit Gat considers whether you should fear your toaster.
AMERICAN ARTIST and ALEX VITALE walk the punishing line between privacy and safety — 33
American Artist and Alex Vitale speak about predictive policing and the alternatives to an expanding police state.
FEATURES
1,500 Words: Pulling the plug on BOB — 62
In ‘1,500 words’, time-based media conservator B. Fino-Radin discusses navigating art and obsolesce.
Profile: DANIELLE BRATHWAITE-SHIRLEY — 68
‘Brathwaite-Shirley’s creations have raw, cracking edges that are alive and seething.’ The artist makes lively, immersive artworks that build towards a community archive. Skye Arundhati Thomas takes a trip through her many worlds.
Roundtable: DAOs. A new wave of artistic cooperation — 78
‘DAOs are a collaboration between code, capital and community.’ Terence Trouillot speaks to Ruth Catlow, Rhea Myers, Penny Rafferty and Bhavik Singh on how DAOs can support creative communities, construct a more equitable art world and promote social play within the digital sphere.
Interview: SUZANNE TREISTER — 88
Suzanne Treister speaks with writer and curator Lars Bang Larsen about predicting the future, time travel and the questions she’s put to the European Organization for Nuclear Research.
Essay: Is 3D printing ethical? — 98
Dan Hicks explores whether 3D printing and NFTs can alter debates about the cultural restitution of looted objects in Euro-American museums.
REVIEWS
Women at War, Friedman Gallery, New York, USA — 144
Lonely Arts — 172
En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-231 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Titre : Frieze #232 : January/February 2023 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Directeur de publication, rédacteur en chef ; McKenzie WARK, Auteur ; Sunil GUPTA, Auteur ; Justin BEAL, Auteur ; Ian BOURLAND, Auteur ; Megan NOLAN, Auteur ; Adam MAZUR, Auteur ; Kevin BRAZIL, Auteur ; Ilana KAPLAN, Auteur ; Tausif NOOR, Auteur Editeur : Londres : Frieze Année de publication : 2023 Importance : 174 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6838 Prix : 12,00€ Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, Ukraine Résumé : ‘I need to look at my work. I need to bond with it, like it’s my child.’ – Henry Taylor
In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of shows at The Fabric Workshop and Museum, Philadelphia, and The Museum of Contemporary Art, Los Angeles. Plus, one year after Russia declared war, four Ukrainians respond to the crisis in a dossier, including: a personal essay by painter and writer Kateryna Aliinyk; Adam Mazur profiles Taras Gembik, an artist and performer organizing picnics to raise money for Ukraine in Warsaw, Poland; Nikita Kadan on what art can mean in a time of war; editor-in-chief Andrew Durbin interviews Olha Honchar, the director of Territory of Terror Museum, which documents war crimes, and the coordinator for the Museum Crisis Center, an organization helping Ukrainian museums rescue their holdings from occupied zones.Note de contenu : CONTENTS
Editor's Letter — 11
by Andrew Durbin
Going Up, Going Down — 15
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: DIANE ARBUS - 16
Lynne Tillman responds to a single work by Diane Arbus.
ADOLESCENCE: Point of Departure
Five artists on the lessons of first artistic encounters - 19
Kelly Akashi, Gina Fischli, Sung Hwan Kim, Jordan Strafer and Atiéna R. Kilfa recall formative interactions with works of art.
A second youth at TECHNO SLEEPAWAY CAMP - 22
McKenzie Wark reconnects with dance in her ‘second adolescence’ after her transition.
The power of powwow with SKY HOPINKA - 25
Ian Bourland writes about filmmaker Sky Hopinka and powwow youth survival.
The LINDA LINDAS take on punk - 26
Ilana Kaplan profiles The Linda Lindas, an LA-based, all-girl, teenage punk band tackling the heteropatriarchy one song at a time.
Girls in the frame - 29
Justine Kurland explores the ethics of photographing children.
FEATURES
Profile: HNERY TAYLOR - 56
‘I became the observer because I was trying to understand my own life and that’s why I started making pictures. I just like looking at people.’ Terence Trouillot considers how Henry Taylor’s oeuvre goes far beyond the canvas.
Essay: The fetishization of female rage - 66
In the wake of the Supreme Court’s overturning of Roe vs Wade, which protected universal abortion access, Megan Nolan examines female rage and abortion rights in film and literature
1,500 Words: MIKE DAVIS on the tempo of disaster - 72
Justin Beal reflects on the late Mike Davis’s Ecology of Fear (1998) and the author’s penchant for turning information into stories.
Interview: SUNIL GUPTA - 78
Tausif Noor speaks to photographer Sunil Gupta ahead of a forthcoming catalogue
Dossier: UKRAINE. 'Please don't call what I'm doing art' - 86
‘Since the rockets did not fly at us immediately, we started to help.’ In this dossier, we profile, interview and collect first-hand accounts from four Ukrainians, working within and without the country, who are striving to preserve their culture – and their lives.
REVIEWS
William Kentridge, Royal Academy of Arts, London, UK - 128
Lonely Arts - 154En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-232 Frieze #232 : January/February 2023 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Directeur de publication, rédacteur en chef ; McKenzie WARK, Auteur ; Sunil GUPTA, Auteur ; Justin BEAL, Auteur ; Ian BOURLAND, Auteur ; Megan NOLAN, Auteur ; Adam MAZUR, Auteur ; Kevin BRAZIL, Auteur ; Ilana KAPLAN, Auteur ; Tausif NOOR, Auteur . - Londres : Frieze, 2023 . - 174 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6838 : 12,00€
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, Ukraine Résumé : ‘I need to look at my work. I need to bond with it, like it’s my child.’ – Henry Taylor
In the January/February issue of frieze, Terence Trouillot profiles artist Henry Taylor ahead of shows at The Fabric Workshop and Museum, Philadelphia, and The Museum of Contemporary Art, Los Angeles. Plus, one year after Russia declared war, four Ukrainians respond to the crisis in a dossier, including: a personal essay by painter and writer Kateryna Aliinyk; Adam Mazur profiles Taras Gembik, an artist and performer organizing picnics to raise money for Ukraine in Warsaw, Poland; Nikita Kadan on what art can mean in a time of war; editor-in-chief Andrew Durbin interviews Olha Honchar, the director of Territory of Terror Museum, which documents war crimes, and the coordinator for the Museum Crisis Center, an organization helping Ukrainian museums rescue their holdings from occupied zones.Note de contenu : CONTENTS
Editor's Letter — 11
by Andrew Durbin
Going Up, Going Down — 15
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: DIANE ARBUS - 16
Lynne Tillman responds to a single work by Diane Arbus.
ADOLESCENCE: Point of Departure
Five artists on the lessons of first artistic encounters - 19
Kelly Akashi, Gina Fischli, Sung Hwan Kim, Jordan Strafer and Atiéna R. Kilfa recall formative interactions with works of art.
A second youth at TECHNO SLEEPAWAY CAMP - 22
McKenzie Wark reconnects with dance in her ‘second adolescence’ after her transition.
The power of powwow with SKY HOPINKA - 25
Ian Bourland writes about filmmaker Sky Hopinka and powwow youth survival.
The LINDA LINDAS take on punk - 26
Ilana Kaplan profiles The Linda Lindas, an LA-based, all-girl, teenage punk band tackling the heteropatriarchy one song at a time.
Girls in the frame - 29
Justine Kurland explores the ethics of photographing children.
FEATURES
Profile: HNERY TAYLOR - 56
‘I became the observer because I was trying to understand my own life and that’s why I started making pictures. I just like looking at people.’ Terence Trouillot considers how Henry Taylor’s oeuvre goes far beyond the canvas.
Essay: The fetishization of female rage - 66
In the wake of the Supreme Court’s overturning of Roe vs Wade, which protected universal abortion access, Megan Nolan examines female rage and abortion rights in film and literature
1,500 Words: MIKE DAVIS on the tempo of disaster - 72
Justin Beal reflects on the late Mike Davis’s Ecology of Fear (1998) and the author’s penchant for turning information into stories.
Interview: SUNIL GUPTA - 78
Tausif Noor speaks to photographer Sunil Gupta ahead of a forthcoming catalogue
Dossier: UKRAINE. 'Please don't call what I'm doing art' - 86
‘Since the rockets did not fly at us immediately, we started to help.’ In this dossier, we profile, interview and collect first-hand accounts from four Ukrainians, working within and without the country, who are striving to preserve their culture – and their lives.
REVIEWS
William Kentridge, Royal Academy of Arts, London, UK - 128
Lonely Arts - 154En ligne : https://www.frieze.com/magazines/frieze-magazine/issue-232 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Titre : Frieze #233 : March 2023 Type de document : texte imprimé Auteurs : Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Directeur de publication, rédacteur en chef ; Eva DIAZ, Auteur ; Olamiju FAJEMISIN, Auteur ; Haeju KIM, Auteur ; Simon WU, Auteur ; Caitlin CHAISSON, Auteur ; J. Morgan PUETT, Auteur ; Jonathan GRIFFIN, Auteur ; So MAYER, Auteur ; Keith PIPER, Auteur Editeur : Londres : Frieze Année de publication : 2023 Importance : 174 p. Présentation : ill. N&B et coul. Format : 23 x 30 cm ISBN/ISSN/EAN : 6866 Prix : 12,00€ Langues : Anglais (eng) Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, travail collaboratif, collaboration, commun, mise en association, complicité, coopération, coworking, équipe, participation, curator, activiste, production artistique, radical Résumé : ‘Individual agency tends to be prioritized over collaborative, grass-roots initiatives.’ – Todd Ayoung
The March issue of frieze focuses on the work of collectives and cooperatives.Note de contenu :
CONTENTS :
Editor's Letter — 11
by Andrew Durbin
Going Up, Going Down — 15
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: PONCILI CREACIÓN — 20
Eva Díaz responds to a single work by Poncilí Creación.
COLLECTIVES CRISIS
ARM IN ARM, WE EXIT THE GALLERY
KATHERINE BALL on the fungal vibe — 23
Olamiju Fajemisin interviews artist Katherine Ball, a self-proclaimed ‘habitat for fungi and bacteria located on planet Earth’
IKKIBAWIKRRR's seaweed stories — 26
Haeju Kim on ikkibawiKrrr, a visual research band that explores links between civilization, colonialism, ecology, humanity, natural phenomena and plants.
How TERRA0 grow money on trees — 29
Simon Wu on terra0, a group of developers, theorists and researchers studying the creation of hybrid ecosystems in the technosphere.
Crafting alibis with KARRABING FILM COLLECTIVE — 30
Caitlin Chaisson on the Indigenous media group Karrabing Film Collective.
Stay the night at MILDRED'S LANE - 33
Morgan Puett on the history of the arts complex Mildred’s Lane.
FEATURES
Oral history: ATIS REZISTANTS. Haiti's collaborative revolution — 56
‘We work with the younger members of Atis Rezistans, preparing them for the future, in the hope that they will eventually take over from us.’ Members and affiliates of the Haitian art collective trace the group’s history and advocate for the importance of supporting the country’s next generation of artists.
Profile: EI ARAKAWA - 68
Jonathan Griffin profiles artist Ei Arakawa, known for his collaborative performances with artists and art historianS.
Essay: How UK filmmakers challenged the establishment — 76
So Mayer asks how union activism shaped the UK’s collective filmmaking and film distribution practices.
Roundtable: ANTI-COLLECTIVES. Growing pains and giving up — 84
‘Collective endeavours that you start when you are young, dumb and full of potential can result in very different group dynamics.’ Former members of artist duos and groups discuss how and why art collectives form and eventually end.
Featuring: Todd Ayoung (Godzilla: Asian American Arts Network), Patterson Beckwith (ART CLUB2000), Simon Bedwell (BANK), Vanessa Disler (Feminist Land Art Retreat) and Dena Yago (K-HOLE).
1,500 words: BLK ART GROUP and done — 96
Artist Keith Piper recalls his memories of the influential BLK Art Group, a small informal grouping of art students of Black Caribbean descent based in the Midlands and north of England during the early-1980s.
REVIEWS
Cyprien Gaillard, Lafayette Anticipations and Palais de Tokyo, Paris — 142
Lonely Arts — 166En ligne : https://shopcc.frieze.com/products/current-issue-march-2023-issue-233 Frieze #233 : March 2023 [texte imprimé] / Andrew DURBIN, Directeur de publication, rédacteur en chef ; Terence TROUILLOT, Directeur de publication, rédacteur en chef ; Eva DIAZ, Auteur ; Olamiju FAJEMISIN, Auteur ; Haeju KIM, Auteur ; Simon WU, Auteur ; Caitlin CHAISSON, Auteur ; J. Morgan PUETT, Auteur ; Jonathan GRIFFIN, Auteur ; So MAYER, Auteur ; Keith PIPER, Auteur . - Londres : Frieze, 2023 . - 174 p. : ill. N&B et coul. ; 23 x 30 cm.
ISSN : 6866 : 12,00€
Langues : Anglais (eng)
Catégories : 3. Culture:3.50 Arts visuels:Arts visuels Mots-clés : Frieze, magazine, revue, art contemporain, artistes, exposition, actualité, critique d'art, histoire de l'art, travail collaboratif, collaboration, commun, mise en association, complicité, coopération, coworking, équipe, participation, curator, activiste, production artistique, radical Résumé : ‘Individual agency tends to be prioritized over collaborative, grass-roots initiatives.’ – Todd Ayoung
The March issue of frieze focuses on the work of collectives and cooperatives.Note de contenu :
CONTENTS :
Editor's Letter — 11
by Andrew Durbin
Going Up, Going Down — 15
Going Up, Going Down charts what’s hot and what’s not in the global art world.
One Take: PONCILI CREACIÓN — 20
Eva Díaz responds to a single work by Poncilí Creación.
COLLECTIVES CRISIS
ARM IN ARM, WE EXIT THE GALLERY
KATHERINE BALL on the fungal vibe — 23
Olamiju Fajemisin interviews artist Katherine Ball, a self-proclaimed ‘habitat for fungi and bacteria located on planet Earth’
IKKIBAWIKRRR's seaweed stories — 26
Haeju Kim on ikkibawiKrrr, a visual research band that explores links between civilization, colonialism, ecology, humanity, natural phenomena and plants.
How TERRA0 grow money on trees — 29
Simon Wu on terra0, a group of developers, theorists and researchers studying the creation of hybrid ecosystems in the technosphere.
Crafting alibis with KARRABING FILM COLLECTIVE — 30
Caitlin Chaisson on the Indigenous media group Karrabing Film Collective.
Stay the night at MILDRED'S LANE - 33
Morgan Puett on the history of the arts complex Mildred’s Lane.
FEATURES
Oral history: ATIS REZISTANTS. Haiti's collaborative revolution — 56
‘We work with the younger members of Atis Rezistans, preparing them for the future, in the hope that they will eventually take over from us.’ Members and affiliates of the Haitian art collective trace the group’s history and advocate for the importance of supporting the country’s next generation of artists.
Profile: EI ARAKAWA - 68
Jonathan Griffin profiles artist Ei Arakawa, known for his collaborative performances with artists and art historianS.
Essay: How UK filmmakers challenged the establishment — 76
So Mayer asks how union activism shaped the UK’s collective filmmaking and film distribution practices.
Roundtable: ANTI-COLLECTIVES. Growing pains and giving up — 84
‘Collective endeavours that you start when you are young, dumb and full of potential can result in very different group dynamics.’ Former members of artist duos and groups discuss how and why art collectives form and eventually end.
Featuring: Todd Ayoung (Godzilla: Asian American Arts Network), Patterson Beckwith (ART CLUB2000), Simon Bedwell (BANK), Vanessa Disler (Feminist Land Art Retreat) and Dena Yago (K-HOLE).
1,500 words: BLK ART GROUP and done — 96
Artist Keith Piper recalls his memories of the influential BLK Art Group, a small informal grouping of art students of Black Caribbean descent based in the Midlands and north of England during the early-1980s.
REVIEWS
Cyprien Gaillard, Lafayette Anticipations and Palais de Tokyo, Paris — 142
Lonely Arts — 166En ligne : https://shopcc.frieze.com/products/current-issue-march-2023-issue-233 Exemplaires
Code-barres Cote Support Localisation Section Disponibilité aucun exemplaire
Permalink
Permalink
Permalink
