Titre :	FRIEZE N°201 MARCH 2019 CONTEMPORARY ART AND CULTURE
Type de document :	texte imprimé
Auteurs :	Collectif, Auteur
Editeur :	Londres : Frieze
Année de publication :	2019
Importance :	188p.
Présentation :	couv. coul., illus. coul. et noir&blanc
Format :	30 cm
ISBN/ISSN/EAN :	5069
Langues :	Anglais (eng)
Catégories :	3. Culture:3.45 Arts:Style artistique:Art contemporain
Mots-clés :	Frieze  is  the  leading  magazine  of  contemporary  art  and  culture.  includes  essays,  reviews  columns  by  today’s  most  forward-thinking  writers,  artists  curators.  Insightful,  intelligent  exquisitely  designed,  in  profiles  emerging  highlights  new  currents  practice  as  well  offering  a  fresh  perspective  on  more  established  artists.  Including  exhibition  reviews,  interviews,  city  reports  worldwide  listings,  essential  reading  for  anyone  interested  visual  culture. In  this  issue  Gary  Zhexi  Zhang  unpacks  darkly  comic,  technofuturistic  imagery  video  artist  Lu  Yang;  Claire-Louise  Bennett  slips  into  reverie  front  Dorothea  Tanning’s  paintings;  three  from  Buenos  Aires  look  at  how  spaces  are  adapting  to  vibrant  yet  volatile  cultural  climate.
Index. décimale :	709.040 75 Beaux-Arts et Arts Décoratifs - Art Conceptuel.
Note de contenu :	The March issue of frieze features a cross section of reports from Buenos Aires: with an introduction by author and art writer Maria Gainza, an artist project by Ad Minoliti, whose hybrid paintings and installations have been the subject of recent shows in San Francisco, Baden-Baden and Mexico City; and curator Renata Cervetto in conversation with pioneering conceptual and performance artist Marta Minujín. Also in this issue: Claire-Louise Bennett delves into the fantasy worlds of Dorothea Tanning on the occasion of her major retrospective, ‘Behind the Door, Another Invisible Door’, which travels from Madrid’s Museo Reina Sofia to London’s Tate Modern. Hettie Judah interviews Petrit Halilaj in the wake of his three-part project in Kosovo’s Cultural Centre of Runik, Bern’s Zentrum Paul Klee and Turin’s Merz Foundation. Chris Fite-Wassilak navigates the purgatorial worlds of Morag Keil on the eve of her solo exhibition at London’s ICA. Kito Nedo reflects upon the aftermath of German reunification through the lens of Henrike Naumann’s historically interventional installation, Anschluss ’90 (2018). And Jochen Lempert presents a series of specially-commissioned photographs for the issue’s visual essay.

FRIEZE N°201 MARCH 2019 CONTEMPORARY ART AND CULTURE [texte imprimé] / Collectif, Auteur . - Londres : Frieze, 2019 . - 188p. : couv. coul., illus. coul. et noir&blanc ; 30 cm.
ISSN : 5069
Langues : Anglais (eng)

Catégories :	3. Culture:3.45 Arts:Style artistique:Art contemporain
Mots-clés :	Frieze  is  the  leading  magazine  of  contemporary  art  and  culture.  includes  essays,  reviews  columns  by  today’s  most  forward-thinking  writers,  artists  curators.  Insightful,  intelligent  exquisitely  designed,  in  profiles  emerging  highlights  new  currents  practice  as  well  offering  a  fresh  perspective  on  more  established  artists.  Including  exhibition  reviews,  interviews,  city  reports  worldwide  listings,  essential  reading  for  anyone  interested  visual  culture. In  this  issue  Gary  Zhexi  Zhang  unpacks  darkly  comic,  technofuturistic  imagery  video  artist  Lu  Yang;  Claire-Louise  Bennett  slips  into  reverie  front  Dorothea  Tanning’s  paintings;  three  from  Buenos  Aires  look  at  how  spaces  are  adapting  to  vibrant  yet  volatile  cultural  climate.
Index. décimale :	709.040 75 Beaux-Arts et Arts Décoratifs - Art Conceptuel.
Note de contenu :	The March issue of frieze features a cross section of reports from Buenos Aires: with an introduction by author and art writer Maria Gainza, an artist project by Ad Minoliti, whose hybrid paintings and installations have been the subject of recent shows in San Francisco, Baden-Baden and Mexico City; and curator Renata Cervetto in conversation with pioneering conceptual and performance artist Marta Minujín. Also in this issue: Claire-Louise Bennett delves into the fantasy worlds of Dorothea Tanning on the occasion of her major retrospective, ‘Behind the Door, Another Invisible Door’, which travels from Madrid’s Museo Reina Sofia to London’s Tate Modern. Hettie Judah interviews Petrit Halilaj in the wake of his three-part project in Kosovo’s Cultural Centre of Runik, Bern’s Zentrum Paul Klee and Turin’s Merz Foundation. Chris Fite-Wassilak navigates the purgatorial worlds of Morag Keil on the eve of her solo exhibition at London’s ICA. Kito Nedo reflects upon the aftermath of German reunification through the lens of Henrike Naumann’s historically interventional installation, Anschluss ’90 (2018). And Jochen Lempert presents a series of specially-commissioned photographs for the issue’s visual essay.